{"id":9294,"date":"2025-07-23T11:37:04","date_gmt":"2025-07-23T09:37:04","guid":{"rendered":"https:\/\/cod.al\/?page_id=9294"},"modified":"2025-07-23T11:48:00","modified_gmt":"2025-07-23T09:48:00","slug":"armiku-i-jashtem","status":"publish","type":"page","link":"https:\/\/cod.al\/?page_id=9294","title":{"rendered":"Armiku i jasht\u00ebm"},"content":{"rendered":"
\n
\"\"<\/a><\/figure>\n<\/div>\n\n\n
\n\n\n\n

ARMIKU I JASHT\u00cbM<\/mark><\/strong> \/ THE EXTERNAL ENEMY<\/mark><\/h4>\n\n\n\n
\n\n\n\n

Kuruar nga \/ Curated by:<\/em> Bashkim SHEHU<\/strong><\/mark><\/p>\n\n\n\n

BASHK\u00cbPUNIM ME BIBLIOTEK\u00cbN KOMB\u00cbTARE \/ COOPERATION WITH THE NATIONAL LIBRARY<\/mark><\/em><\/p>\n\n\n\n

Dizenjuar nga \/ Designed by:<\/em> Nikola SENJO<\/strong><\/mark><\/p>\n\n\n\n

CENTER FOR OPENNESS AND DIALOGUE -2025<\/mark><\/em><\/p>\n\n\n\n

\n\n\n\n

Teksti kuratorial \/ Curatorial text<\/em><\/strong><\/h2>\n\n\n\n

Karikatura, gjat\u00eb regjimit komunist, ka qen\u00eb nj\u00eb nga mjetet me t\u00eb cilat synohej t\u00eb mbruhej, nd\u00ebr t\u00eb tjera, imagjinata kolektive p\u00ebr t\u00eb ashtuquajturin Armik t\u00eb jasht\u00ebm. N\u00eb k\u00ebt\u00eb ekspozit\u00eb jan\u00eb paraqitur kronologjikisht p\u00ebrfytyrimet zyrtare t\u00eb tij, n\u00ebp\u00ebrmjet karikaturave t\u00eb revist\u00ebs politiko-humoristike Hosteni p\u00ebrgjat\u00eb viteve 1945-1990.<\/p>\n\n\n\n

Vendet zyrtarisht mike t\u00eb Shqip\u00ebris\u00eb pak\u00ebsoheshin koh\u00eb mbas kohe duke u shnd\u00ebrruar menj\u00ebher\u00eb n\u00eb vende armike.<\/p>\n\n\n\n

Mund t\u00eb shihet se, n\u00eb k\u00ebt\u00eb proces, \u00e7do vend i saposhpallur armik identifikohet me armikun paraardh\u00ebs n\u00eb radh\u00eb.<\/p>\n\n\n\n

K\u00ebshtu, mbas \u00e7lirimit t\u00eb Shqip\u00ebris\u00eb nga pushtuesit nazist\u00eb dhe me instalimin e diktatur\u00ebs, anglo-amerikan\u00ebt, aleat\u00eb t\u00eb deridjesh\u00ebm n\u00eb luft\u00ebn kund\u00ebr nazist\u00ebve, identifikohen me k\u00ebta t\u00eb fundit; m\u00eb pas, jugosllav\u00ebt shpallen tradhtar\u00eb dhe identifikohen me amerikan\u00ebt dhe rrjedhimisht me nazizmin; e po k\u00ebshtu, m\u00eb von\u00eb, shpallen tradhtar\u00eb sovjetik\u00ebt, q\u00eb identifikohen me jugosllav\u00ebt dhe rrjedhimisht me t\u00eb gjith\u00eb armiqt\u00eb paraardh\u00ebs n\u00eb radh\u00eb; pastaj e nj\u00ebjta gj\u00eb me kinez\u00ebt…<\/p>\n\n\n\n

Nj\u00eb proces q\u00eb solli, hap pas hapi, vet\u00eb-izolimin total t\u00eb vendit.<\/p>\n\n\n\n

\n\n\n\n

Caricature, during the communist regime, was one of the tools used to shape, among other things, the collective imagination of the so-called external enemy. This exhibition presents, in chronological order, the official representations of that enemy through the caricatures published in the political-satirical magazine Hosteni from 1945 to 1990.<\/em><\/p>\n\n\n\n

The countries officially considered Albania\u2019s allies were gradually reduced over time, turning immediately into enemy states.<\/em><\/p>\n\n\n\n

It can be seen that, in this process, every newly declared enemy country was identified with its immediate predecessor.<\/em><\/p>\n\n\n\n

Thus, after Albania\u2019s liberation from the Nazi occupiers and with the establishment of the dictatorship, the Anglo-Americans \u2014 who had been wartime allies in the fight against Nazism \u2014 were equated with the Nazis themselves; later, the Yugoslavs were declared traitors and identified with the Americans, and thus with Nazism; likewise, later on, the Soviets were declared traitors too, identified with the Yugoslavs and therefore with all previous enemies in succession; and then the same thing happened with the Chinese…<\/em><\/p>\n\n\n\n

A process that step by step led to the country\u2019s total self-isolation.<\/em><\/p>\n\n\n\n

\n\n\n\n

\u00c7elja e ekspozit\u00ebs<\/strong><\/h2>\n\n\n\n
\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n<\/figure>\n\n\n\n

Expo view<\/h2>\n\n\n\n
\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n<\/figure>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

ARMIKU I JASHT\u00cbM \/ THE EXTERNAL ENEMY Kuruar nga \/ Curated by: Bashkim SHEHU BASHK\u00cbPUNIM ME BIBLIOTEK\u00cbN KOMB\u00cbTARE \/ COOPERATION WITH THE NATIONAL LIBRARY Dizenjuar nga \/ Designed by: Nikola SENJO CENTER FOR OPENNESS AND DIALOGUE -2025 Teksti kuratorial \/<\/p>\n","protected":false},"author":5,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-9294","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/pages\/9294","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/cod.al\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9294"}],"version-history":[{"count":10,"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/pages\/9294\/revisions"}],"predecessor-version":[{"id":9370,"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/pages\/9294\/revisions\/9370"}],"wp:attachment":[{"href":"https:\/\/cod.al\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9294"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}