ARTIST: BEN BLUSHI<\/p>\n
KURATOR\/CURATOR: RUBIN KADIU<\/p>\n
DIZAJNER\/DESIGNER: NIKOLA SENJO<\/p>\n
\u00a0COD<\/strong>\u00a0– PRILL\/APRIL 2025<\/em><\/p>\n [\/vc_column_text][vc_separator][vc_column_text]Dit\u00ebn e dit\u00eblindjes sime, n\u00eb 1 janar t\u00eb vitit 2022, me nj\u00eb kamera \u201cNikon\u201d n\u00eb dor\u00eb, dola p\u00ebr her\u00eb t\u00eb par\u00eb n\u00ebp\u00ebr rrug\u00ebt e zbrazura t\u00eb Tiran\u00ebs p\u00ebr t\u00eb b\u00ebr\u00eb fotografi. Shkrepjet e para ishin t\u00eb gjitha t\u00eb mjegullta, t\u00eb pafokusuara dhe t\u00eb mbushura me detaje t\u00eb panevojshme. At\u00eb dit\u00eb m\u00ebsova t\u00eb shkrepja pa e ditur se fotografia dhe shkrepja jan\u00eb dy gj\u00ebra t\u00eb ndryshme. Shkrepjen e b\u00ebn gishti, fotografin\u00eb e b\u00ebn mendja. Syri i bashkon t\u00eb dyja k\u00ebto l\u00ebvizje n\u00eb koh\u00eb dhe n\u00eb hap\u00ebsir\u00eb. Duke mos e ditur k\u00ebt\u00eb sekret, n\u00eb fillim, njer\u00ebzit q\u00eb shfaqeshin n\u00eb fotografit\u00eb e mia ishin t\u00eb ulur n\u00ebp\u00ebr stola ose duke q\u00ebndruar n\u00eb k\u00ebmb\u00eb pa l\u00ebvizur, sepse l\u00ebvizja e njer\u00ebzve \u00ebsht\u00eb armiku kryesor i fotograf\u00ebve t\u00eb rinj dhe t\u00eb pasigurt, si\u00e7 ishte rasti im.<\/p>\n Megjithat\u00eb jeta e k\u00ebtyre njer\u00ebzve q\u00eb nga aparati fotografik hynin me rradh\u00eb n\u00eb kompjuterin tim, ishte dicka e mrekullueshme. Un\u00eb isha b\u00ebr\u00eb papritur me qindra miq t\u00eb rinj.<\/p>\n Nga fytyrat e tyre mund t\u00eb kuptoja g\u00ebzimin, trishtimin, lodhjen dhe padurimin e jet\u00ebs. K\u00ebta njer\u00ebz, t\u00eb cil\u00ebt nuk i njihja, ishin b\u00ebr\u00eb pjes\u00eb e arkivit t\u00eb kujtimeve t\u00eb mia.<\/p>\n Nga ata m\u00ebsova se ndryshe nga shkrimtari, i cili i ngjan nj\u00eb peshkatari q\u00eb nuk l\u00ebviz, fotografi i ngjan nj\u00eb gjuetari. Ai duhet t\u00eb lodhet shum\u00eb, t\u00eb vrapoj\u00eb dhe t\u00eb rr\u00ebzohet n\u00ebp\u00ebr shkurret e pasiguris\u00eb derisa t\u00eb zbuloj\u00eb nj\u00eb l\u00ebvizje, t\u00eb ndjej\u00eb nj\u00eb frym\u00ebmarrje dhe t\u00eb kap\u00eb nj\u00eb \u00e7ast n\u00eb pyllin e pafund t\u00eb ngjyrave t\u00eb bot\u00ebs.<\/p>\n Pik\u00ebrisht kjo \u00ebsht\u00eb magjia e fotografis\u00eb: p\u00ebrjet\u00ebsimi i \u00e7astit.<\/p>\n Duke shkrepur mund t\u00eb b\u00ebsh \u00e7do \u00e7ast nj\u00eb fotografi, duke kapur \u00e7astin mund t\u00eb b\u00ebsh her\u00eb pas here nj\u00eb fotografi shum\u00eb t\u00eb mir\u00eb.<\/p>\n N\u00eb fotografi, asnj\u00eb \u00e7ast nuk i ngjan nj\u00eb tjetri dhe asnj\u00eb shkrepje nuk prodhon asnj\u00ebher\u00eb t\u00eb nj\u00ebjt\u00ebn forografi.<\/p>\n Un\u00eb e shijova k\u00ebt\u00eb magji duke ecur n\u00ebp\u00ebr qytete, n\u00ebp\u00ebr fshatra, n\u00eb plazhe t\u00eb braktisur, n\u00eb godina t\u00eb rr\u00ebnuara, n\u00ebp\u00ebr lagje t\u00eb vjetra, t\u00eb cilat shkaktojn\u00eb nj\u00eb zhvendosje t\u00eb p\u00ebrhershme njer\u00ebzish nga nj\u00eb vend n\u00eb nj\u00eb vend tjet\u00ebr.<\/p>\n N\u00eb k\u00ebrkim t\u00eb \u00e7astit dhe t\u00eb nj\u00eb fotografie m\u00eb t\u00eb mir\u00eb, do vazhdoj t\u00eb eci duke e drejtuar aparatin tim mbi portretet e njer\u00ebzve t\u00eb panjohur.<\/p>\n Prandaj dhe kjo ekspozit\u00eb quhet \u201cShqiptar\u00eb t\u00eb panjohur\u201d, si nj\u00eb shenj\u00eb mir\u00ebnjohje p\u00ebr k\u00ebta njer\u00ebz t\u00eb panjohur q\u00eb m\u00eb m\u00ebsuan t\u00eb fotografoj.<\/p>\n Ben Blushi<\/em><\/p>\n Ekspozita “Shqiptar\u00ebt e Panjohur” e Ben Blushit hap nj\u00eb dritare t\u00eb re mbi kompleksitetin dhe pasurin\u00eb e jet\u00ebs shqiptare, duke shfaqur individ\u00eb q\u00eb, ndon\u00ebse t\u00eb panjohur n\u00eb m\u00ebnyr\u00eb tradicionale, jan\u00eb pjes\u00eb e historiografis\u00eb dhe kultur\u00ebs s\u00eb p\u00ebrditshme t\u00eb Shqip\u00ebris\u00eb. Blushi, i njohur p\u00ebr qasjen e tij t\u00eb thell\u00eb dhe intime ndaj subjekteve t\u00eb tij, shp\u00ebrfaq nj\u00eb galeri t\u00eb personazheve, t\u00eb cil\u00ebt mbeten larg v\u00ebmendjes s\u00eb gjer\u00eb, duke ofruar nj\u00eb rr\u00ebfim t\u00eb fuqish\u00ebm p\u00ebr ata q\u00eb jetojn\u00eb dhe veprojn\u00eb larg reflektor\u00ebve t\u00eb shfaqjes s\u00eb jet\u00ebs publike.<\/p>\n Blushi krijon nj\u00eb p\u00ebrvoj\u00eb vizuale q\u00eb nxit reflektimin mbi lidhjen nd\u00ebrmjet individ\u00ebve dhe hap\u00ebsirave t\u00eb tyre sociale. Imazhet jan\u00eb nj\u00eb moment i thjesht\u00eb, por plot dometh\u00ebnie; nj\u00eb ndalim p\u00ebr t\u00eb v\u00ebn\u00eb re at\u00eb q\u00eb zakonisht neglizhohet.<\/p>\n N\u00eb k\u00ebt\u00eb ekspozit\u00eb, Ben Blushi na fton t\u00eb shohim p\u00ebrtej sip\u00ebrfaqes, t\u00eb \u00e7montojm\u00eb narrativ\u00ebn e zakonshme dhe t\u00eb p\u00ebrqafojm\u00eb nj\u00eb Shqip\u00ebri m\u00eb t\u00eb pasur dhe m\u00eb t\u00eb gjer\u00eb, ku \u00e7do individ, i njohur ose i panjohur, \u00ebsht\u00eb pjes\u00eb e historis\u00eb dhe kultur\u00ebs s\u00eb vendit.<\/p>\n Rubin Kadiu<\/em><\/p>\n\n\n [vc_row][vc_column][vc_text_separator title=”Ekspozit\u00eb \/ Exhibition”][vc_single_image image=”8619″ img_size=”large” alignment=”center”][vc_column_text] SHQIPTAR\u00cb T\u00cb PANJOHUR \/ UNKNOWN ALBANIAN ARTIST: BEN BLUSHI KURATOR\/CURATOR: RUBIN KADIU DIZAJNER\/DESIGNER: NIKOLA SENJO \u00a0COD\u00a0– PRILL\/APRIL 2025 [\/vc_column_text][vc_separator][vc_column_text]Dit\u00ebn e dit\u00eblindjes sime, n\u00eb 1 janar t\u00eb vitit 2022, me nj\u00eb kamera \u201cNikon\u201d n\u00eb<\/p>\n","protected":false},"author":5,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-8616","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/pages\/8616","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/cod.al\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=8616"}],"version-history":[{"count":5,"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/pages\/8616\/revisions"}],"predecessor-version":[{"id":9110,"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/pages\/8616\/revisions\/9110"}],"wp:attachment":[{"href":"https:\/\/cod.al\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=8616"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}\u00c7elja e Ekspozit\u00ebs<\/h2>\n\n\n\n
![\"\"](\"https:\/\/cod.al\/wp-content\/uploads\/2025\/06\/6E0A8509-scaled.jpg\")
<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n<\/figure>\n\n\n\nExpo-View<\/h2>\n\n\n\n
<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n<\/figure>\n","protected":false},"excerpt":{"rendered":"