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ARKIVI I BRISHT\u00cb<\/strong>\u00a0\/ THE PRECIARIOUS\u00a0ARCHIVE<\/p>\n Artist<\/strong>: Stefanos Tsivopoulos<\/p>\n Kuruar nga<\/strong> \/ Curated by: Helidon Gjergji<\/p>\n Dizenjuar nga<\/strong> \/ Designed by: Nikola Senjo<\/p>\n COD, February 2025,\u00a0EXHIBITIONS<\/strong><\/em><\/p>\n (AL)<\/strong><\/p>\n \u201cNe nuk mbajm\u00eb mend, ne e rishkruajm\u00eb kujtes\u00ebn po ashtu si\u00e7 rishkruhet historia.\u201d Stefanos Tsivopoulos \u00ebsht\u00eb nj\u00eb artist dhe regjisor bashk\u00ebkohor, puna e t\u00eb cilit e angazhon publikun n\u00eb nj\u00eb dialog kritik rreth temave t\u00eb identitetit, strukturave t\u00eb pushtetit dhe kujtes\u00ebs kolektive. Nd\u00ebrsa ai e pranon se arti i vet\u00ebm nuk mund t\u00eb sjell\u00eb ndryshime shoq\u00ebrore, ai beson se mund t\u00eb frym\u00ebzoj\u00eb m\u00ebnyra t\u00eb reja t\u00eb N\u00eb k\u00ebt\u00eb ekspozit\u00eb, artisti prezanton tre nga veprat e tij m\u00eb ikonike, si “Monumenti i humbur”, “Nemesis, variacionet e nj\u00eb miti” dhe “Arkivi i brisht\u00eb”, nj\u00eb instalacion me vendndodhje specifike, i cili u ekspozua p\u00ebr her\u00eb t\u00eb par\u00eb n\u00eb Dokumenta 14, n\u00eb Kasel. Pavar\u00ebsisht se jan\u00eb tre vepra t\u00eb ndryshme, ato jan\u00eb t\u00eb g\u00ebrshetuara thell\u00ebsisht me nj\u00ebra tjetr\u00ebn p\u00ebrmes angazhimit t\u00eb tyre kritik n\u00eb raport me send\u00ebrtimin, \u00e7montimin dhe brisht\u00ebsin\u00eb e narrativave historike. \u00c7do projekt merr n\u00eb pyetje mekanizmat me an\u00eb t\u00eb t\u00eb cil\u00ebve kujtesa kolektive form\u00ebsohet, kontestohet dhe nd\u00ebrmjet\u00ebsohet, duke p\u00ebrdorur nj\u00eb nd\u00ebrthurje t\u00eb sofistikuar t\u00eb materialit arkivor, mitologjis\u00eb dhe elementeve fiksionale p\u00ebr t\u00eb destabilizuar diskurset historike mbizot\u00ebruese.<\/p>\n Veprat e Tsivopoulos p\u00ebrqafojn\u00eb ambiguitetin, shum\u00ebllojshm\u00ebrin\u00eb dhe ironin\u00eb, duke ju shmangur q\u00ebndrimeve t\u00eb prera e t\u00eb pal\u00ebkund\u00ebshme. Duke shembur kufijt\u00eb midis faktit dhe fiksionit, t\u00eb kaluar\u00ebs dhe t\u00eb tashmes, krijimtarija e tij e fton publikun n\u00eb nj\u00eb hap\u00ebsir\u00eb t\u00eb nd\u00ebrmjetme ku historia nuk \u00ebsht\u00eb m\u00eb e ngurt\u00eb, por e dekonstruktuar dhe e hapur p\u00ebr interpretime t\u00eb reja. Filmat dhe video-instalacionet e tij jan\u00eb ekspozuar n\u00eb disa bienale dhe ekspozita t\u00eb periodike, t\u00eb nj\u00eb r\u00ebnd\u00ebsije madhore, duke p\u00ebrfshir\u00eb Dokumenta 14, Kasel; Bienalja e Venecias 55; Manifesta 8, Murcia dhe Bienalja e CAFAM 2, Pekin, nd\u00ebr t\u00eb tjera. Ai \u00ebsht\u00eb edhe themeluesi dhe bashk\u00ebdrejtori i Artist\u00ebt per Artist\u00ebt, nj\u00eb organizat\u00eb pedagogjike jofitimprur\u00ebse e bazuar n\u00eb internet q\u00eb punon si me artist\u00eb t\u00eb mir\u00ebnjohur nd\u00ebrkomb\u00ebtar\u00eb ashtu edhe me artist\u00eb m\u00eb t\u00eb rinj nga Jugu Global.<\/p>\n (EN)<\/strong><\/p>\n \u201cWe do not remember, we rewrite memory as much as history is rewritten.\u201d Stefanos Tsivopoulos is a contemporary artist and filmmaker whose work seeks to engage audiences in critical dialogues about identity, power structures, and collective memory. While he acknowledges that art alone cannot enact societal change, he believes it can inspire new ways of thinking and foster collective imagination, by blending historical inquiry with creative expression. [vc_row][vc_column][vc_text_separator title=”EXHIBITIONS”][vc_single_image image=”8542″ img_size=”large” alignment=”center”][vc_separator][vc_column_text] ARKIVI I BRISHT\u00cb\u00a0\/ THE PRECIARIOUS\u00a0ARCHIVE Artist: Stefanos Tsivopoulos Kuruar nga \/ Curated by: Helidon Gjergji Dizenjuar nga \/ Designed by: Nikola Senjo COD, February 2025,\u00a0EXHIBITIONS (AL) \u201cNe nuk mbajm\u00eb mend, ne e rishkruajm\u00eb kujtes\u00ebn po<\/p>\n","protected":false},"author":5,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-8540","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/pages\/8540","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/cod.al\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=8540"}],"version-history":[{"count":16,"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/pages\/8540\/revisions"}],"predecessor-version":[{"id":8614,"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/pages\/8540\/revisions\/8614"}],"wp:attachment":[{"href":"https:\/\/cod.al\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=8540"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n
\nKris Marker<\/em><\/p>\n
\nt\u00eb menduarit dhe t\u00eb nxis\u00eb imagjinat\u00ebn kolektive, duke nd\u00ebrthurur hulumtimin historik me krijimtarin\u00eb artistike.<\/p>\n
\nI lindur n\u00eb Prag\u00eb n\u00eb 1973 nga nj\u00eb n\u00ebn\u00eb iraniane dhe baba grek, ai u rrit n\u00eb Greqi p\u00ebrpara se t\u00eb ndiqte studimet e tij p\u00ebr art n\u00eb Athin\u00eb dhe Amsterdam. Ai aktualisht jeton dhe punon midis Athin\u00ebs, Amsterdamit dhe Nju Jorkut. Prejardhja dhe p\u00ebrvojat e tij t\u00eb ndryshme kan\u00eb ndikuar ndjesh\u00ebm n\u00eb krijimtarin\u00eb e tij artistike, e cila p\u00ebrfshin filmin, videon, fotografin\u00eb dhe instalacionin.
\nPuna e tij \u00ebsht\u00eb ekspozuar gjer\u00ebsisht n\u00eb disa nga muzet\u00eb dhe galerit\u00eb m\u00eb prestigjioze n\u00eb mbar\u00eb bot\u00ebn, duke p\u00ebrfshir\u00eb Tate Modern, Lond\u00ebr; Center Pompidou, Paris; Haus der Kulturen der Welt, Berlin; MAXXI, Rom\u00eb; MACBA, Barcelona; High Line Art, Nju Jork; Muzeu i Artit Samsung, Seul; SALT, Stamboll; MuCEM, Marsej\u00eb; MUKHA, Antverp; Kunsthaus Zurich, Zyrih; Muzeu i Artit Bashk\u00ebkohor, Athin\u00eb.<\/p>\n
\n\u00c7mimet e shumta q\u00eb ka marr\u00eb p\u00ebrfshijn\u00eb \u00c7mimin e Produksionit t\u00eb Fondacionit Mondrian; \u00c7mimin Kubi i Art\u00eb, ku fitoi \u00e7mimin p\u00ebr video-instalacionin m\u00eb t\u00eb mir\u00eb n\u00eb Festivalin e 25-t\u00eb t\u00eb Dokumentarit n\u00eb Kasel. Ai ishte gjithashtu nj\u00eb nd\u00ebr finalist\u00ebt n\u00eb edicionin e 7-t\u00eb t\u00eb \u00c7mimit t\u00eb Ardhm\u00ebris\u00eb s\u00eb Evrop\u00ebs n\u00eb Leipzig, dhe \u00c7mimin e Fondacionit DESTE n\u00eb Athin\u00eb. Tsivopoulos \u00ebsht\u00eb pedagog n\u00eb Institutin Piet Zwart t\u00eb Roterdamit si dhe pedagog i jasht\u00ebm n\u00eb universitetin, The New School-Parsons n\u00eb Nju Jork.<\/p>\n
\nChris Marker<\/em><\/p>\n
\nIn this exhibition, the artist presents three of his most iconic works, such as, \u201cThe Lost Monument\u201d, \u201cNemesis, Variations of a Myth\u201d and \u201cThe Precarious Archive,\u201d a site-specific installation, which was first shown at Documenta 14, in Kassel. Despite being three distinct works, they are deeply interwoven through their critical engagement with the construction, deconstruction, and precariousness of historical
\nnarratives. Each project interrogates the mechanisms by which collective memory is shaped, contested, and mediated, employing a sophisticated interplay of archival material, mythology, and fictionalized elements to destabilize dominant historical discourses. Tsivopoulos, works embrace ambiguity, multiplicity, and irony, eschewing closure and resolution. By collapsing boundaries between fact and fiction, past and present, his practice invites viewers into a liminal space where history is not fixed but deconstructed and reimagined in new ways.
\nBorn in Prague in 1973 to an Iranian mother and Greek father, he grew up in Greece before pursuing his art studies in Athens and Amsterdam. He currently lives and works between Athens, Amsterdam, and New York. His diverse background and experiences have significantly influenced his artistic practice, which encompasses film, video, photography, and installation.
\nHis work has been exhibited extensively in some of the most prestigious museums and galleries around the world, including Tate Modern, London; Centre Pompidou, Paris; Haus der Kulturen der Welt, Berlin; MAXXI, Rome; MACBA, Barcelona; High Line Art, New York; Samsung Museum of Art, Seoul; SALT, Istanbul; MuCEM, Marseille; MUKHA, Antwerp; Kunsthaus Zurich; Museum of Contemporary Art, Athens.
\nHis films and video installations have been showcased in several major periodical exhibitions and biennials, including Documenta 14, Kassel; Venice Biennale 55; Manifesta 8, Murcia; and CAFAM Biennial 2, Beijing, among others.
\nHis numerous awards include the Mondriaan Foundation Production Award; the Golden Cube Award, where he won the award for best video installation at the 25th Documentary Festival in Kassel. He was also shortlisted for the 7th edition of the Future of Europe Award, Leipzig, and the DESTE Foundation Award, Athens.
\nTsivopoulos is a core faculty member at the Piet Zwart Institute Rotterdam and adjunct faculty at The New School\u2014Parsons, New York.
\nHe is the founder and co-director of Artists for Artists, an online pedagogical non-profit organization that works with leading international artists and early-career artists from the Global South.[\/vc_column_text][vc_text_separator title=”EXPO-VIEW”][vc_gallery type=”image_grid” images=”8550,8551,8552,8553,8554,8555,8556,8557,8558,8560,8561,8562,8563,8564,8565,8566,8567,8568,8559″][vc_text_separator title=”Opening “][vc_gallery type=”image_grid” images=”8570,8571,8572,8573,8574,8575,8576,8578,8579,8580,8581,8582,8583,8584,8585,8586,8587,8588,8589,8590,8591″][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"