{"id":8401,"date":"2025-01-14T09:08:16","date_gmt":"2025-01-14T08:08:16","guid":{"rendered":"https:\/\/cod.al\/?page_id=8401"},"modified":"2025-01-15T10:34:13","modified_gmt":"2025-01-15T09:34:13","slug":"tejdukshmeri-ekzistenciale","status":"publish","type":"page","link":"https:\/\/cod.al\/?page_id=8401","title":{"rendered":"Tejdukshm\u00ebri Ekzistenciale"},"content":{"rendered":"<p>[vc_row][vc_column][vc_single_image image=&#8221;8422&#8243; img_size=&#8221;large&#8221; alignment=&#8221;center&#8221;][vc_column_text]<\/p>\n<p style=\"text-align: center;\"><strong>Tejdukshm\u00ebri ekzistenciale<\/strong><\/p>\n<hr \/>\n<p style=\"text-align: right;\"><em>Tani do pres t\u00eb nes\u00ebrmen,<\/em><\/p>\n<p style=\"text-align: right;\"><em>p\u00ebr t\u00eb pasur nostalgji.<\/em><\/p>\n<p style=\"text-align: right;\"><em>Zonja Liri, Mis Fantazi,<\/em><\/p>\n<p style=\"text-align: right;\"><em>kaq e \u00e7muar si vera,<\/em><\/p>\n<p style=\"text-align: right;\"><em>kaq falas si trishtimi,<\/em><\/p>\n<p style=\"text-align: right;\"><em>me ret\u00eb e tua t\u00eb dendura<\/em><\/p>\n<p style=\"text-align: right;\"><em>prej dyshimesh dhe bukurish! <\/em><\/p>\n<p style=\"text-align: right;\"><strong><em>(Fabrizio de Andre)<\/em><\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>N\u00ebse do t\u2019u jepja nj\u00eb titull paralel portreteve, trupave dhe qenieve t\u00eb Krist Dimos, ai do t\u00eb ishte \u201cT\u00eb gjith\u00eb jan\u00eb t\u00eb palumtur\u201d.<\/p>\n<p>Puna e Dimos \u00ebsht\u00eb nj\u00eb k\u00ebrkim p\u00ebr t\u00eb kuptuar natyr\u00ebn e ekzistenc\u00ebs njer\u00ebzore, q\u00eb shpesh \u00ebsht\u00eb e mbushur me tensione dhe kontradikta, konflikte t\u00eb brendshme dhe t\u00eb jashtme, por gjithashtu \u00ebsht\u00eb nj\u00eb hap\u00ebsir\u00eb e pafund mund\u00ebsish. Njer\u00ebzit e tij e urrejn\u00eb fasad\u00ebn; ata \u201cul\u00ebrasin\u201d t\u00eb v\u00ebrtetat e tyre lakuriqe.<\/p>\n<p>Piktura e tij krijon nj\u00eb fjalor unik t\u00eb karakterizuar nga imazhe t\u00eb p\u00ebrs\u00ebritura, koka njer\u00ebzore me goj\u00eb hapur si t\u00eb ishin duke folur; nj\u00eb shum\u00ebllojshm\u00ebri shenjash dhe kolazhesh t\u00eb \u00e7uditshme.<\/p>\n<p>Fytyra njer\u00ebzish t\u00eb mbytur, si kafk\u00eb, me sy bulboz\u00eb, hund\u00eb t\u00eb lyer dhe dh\u00ebmb\u00eb t\u00eb duksh\u00ebm, si dhe skicat anatomike p\u00ebrshkruajn\u00eb deviz\u00ebn e artit t\u00eb tij. Kanavacat e tij t\u00eb m\u00ebdha vibrojn\u00eb me ngjyra, shenja, forma dhe tekste.<\/p>\n<p>Syt\u00eb e personazheve t\u00eb tij jan\u00eb si nj\u00eb vorbull q\u00eb g\u00ebrryen brend\u00ebsin\u00eb e paqes son\u00eb. Ata shpojn\u00eb dob\u00ebsit\u00eb tona. Qeniet e tij artistike i din\u00eb t\u00eb gjitha. Njeriu duhet t\u00eb ndalet dhe t\u00eb lexoj\u00eb veprat e tij t\u00eb artit, er\u00ebn e epokave q\u00eb do t\u00eb sjell\u00eb m\u00ebshir\u00ebn. Pothuajse sikur t\u00ebrbimi as t\u00eb mos ekzistonte.<\/p>\n<p>Veprat e Dimos jan\u00eb m\u00eb shum\u00eb se thjesht imazhe; ato jan\u00eb nj\u00eb thirrje p\u00ebr reflektim dhe nj\u00eb mund\u00ebsi p\u00ebr t\u00eb menduar p\u00ebr bot\u00ebn q\u00eb na rrethon dhe rolin ton\u00eb brenda saj. Ai krijon nj\u00eb hap\u00ebsir\u00eb q\u00eb na fton t\u00eb ndalemi, t\u00eb g\u00ebrmojm\u00eb m\u00eb thell\u00eb dhe t\u00eb shohim realitetin p\u00ebrtej sip\u00ebrfaqes. Puna e tij shpesh pasqyron nj\u00eb ndjenj\u00eb t\u00eb k\u00ebrkimit t\u00eb vazhduesh\u00ebm, nj\u00eb k\u00ebrkim p\u00ebr kuptimin e vetes dhe t\u00eb bot\u00ebs, si dhe nj\u00eb p\u00ebrpjekje p\u00ebr t\u00eb kuptuar se si ne lidhemi me natyr\u00ebn, me nj\u00ebri-tjetrin dhe me pasojat q\u00eb sjell koha.<\/p>\n<p>Secila prej veprave t\u00eb tij sinjalizon zbraz\u00ebtin\u00eb, duke habitur n\u00eb shprehjen universale t\u00eb form\u00ebs njer\u00ebzore ndjenj\u00ebn largpam\u00ebse t\u00eb qenies.<\/p>\n<p>Piktura e tij \u00ebsht\u00eb e \u00e7ilt\u00eb. Fundja arti nuk lind nga arsyeja (ragione), por nga mungesa e saj (follia), prandaj edhe \u201cmarr\u00ebzia\u201d \u00ebsht\u00eb e pranishme.<\/p>\n<p>N\u00eb shum\u00eb prej veprave t\u00eb tij, Dimoja eksploron ndikimin e shoq\u00ebris\u00eb moderne tek individi, duke shqyrtuar aspektet e identitetit, t\u00eb liris\u00eb dhe t\u00eb shprehjes personale.<\/p>\n<p>N\u00eb k\u00ebt\u00eb ekspozit\u00eb, puna e Krist Dimos e fton shikuesin t\u00eb p\u00ebrjetoj\u00eb nj\u00eb p\u00ebrvoj\u00eb vizuale, q\u00eb \u00ebsht\u00eb gjithashtu nj\u00eb p\u00ebrvoj\u00eb mendore dhe emocionale. Ajo \u00ebsht\u00eb nj\u00eb ftes\u00eb p\u00ebr t\u00eb menduar, p\u00ebr t\u00eb k\u00ebrkuar dhe p\u00ebr t\u00eb par\u00eb bot\u00ebn n\u00eb m\u00ebnyra t\u00eb reja. Puna e tij \u00ebsht\u00eb nj\u00eb testimonium p\u00ebr fuqin\u00eb e artit p\u00ebr t\u00eb hapur mendjet dhe zemrat e njer\u00ebzve, duke na ofruar nj\u00eb mund\u00ebsi p\u00ebr t\u00eb par\u00eb dhe p\u00ebr t\u00eb kuptuar bot\u00ebn dhe veten ton\u00eb m\u00eb thell\u00eb dhe m\u00eb plot\u00ebsisht.<\/p>\n<p style=\"text-align: right;\"><strong>Teksti kuratorial: Jetona Ko\u00e7ibelli<\/strong><\/p>\n<p>[\/vc_column_text][vc_text_separator title=&#8221;EXPO-VIEW&#8221;][vc_gallery type=&#8221;image_grid&#8221; images=&#8221;8472,8473,8474,8475,8476,8477,8478,8479,8480,8481,8482,8483,8484,8485,8486&#8243;][vc_text_separator title=&#8221;\u00c7ELJA E EKSPOZIT\u00cbS&#8221;][vc_gallery type=&#8221;image_grid&#8221; images=&#8221;8487,8488,8489,8490,8491,8492,8493,8494,8495,8496,8497,8498,8499,8500,8501,8502,8503,8504,8505,8506,8507,8508,8509,8510,8511,8512,8513,8514,8515,8516,8517,8518,8520&#8243;][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_single_image image=&#8221;8422&#8243; img_size=&#8221;large&#8221; alignment=&#8221;center&#8221;][vc_column_text] Tejdukshm\u00ebri ekzistenciale Tani do pres t\u00eb nes\u00ebrmen, p\u00ebr t\u00eb pasur nostalgji. Zonja Liri, Mis Fantazi, kaq e \u00e7muar si vera, kaq falas si trishtimi, me ret\u00eb e tua t\u00eb dendura prej dyshimesh dhe bukurish! (Fabrizio de<\/p>\n","protected":false},"author":5,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-8401","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/pages\/8401","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/cod.al\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=8401"}],"version-history":[{"count":8,"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/pages\/8401\/revisions"}],"predecessor-version":[{"id":8522,"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/pages\/8401\/revisions\/8522"}],"wp:attachment":[{"href":"https:\/\/cod.al\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=8401"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}