{"id":7339,"date":"2024-03-13T10:24:02","date_gmt":"2024-03-13T09:24:02","guid":{"rendered":"https:\/\/cod.al\/?page_id=7339"},"modified":"2024-03-13T15:08:50","modified_gmt":"2024-03-13T14:08:50","slug":"blerta-kambo","status":"publish","type":"page","link":"https:\/\/cod.al\/?page_id=7339","title":{"rendered":"Blerta Kambo"},"content":{"rendered":"<p>[vc_row][vc_column][vc_text_separator title=&#8221;Ekspozit\u00eb&#8221; title_align=&#8221;separator_align_left&#8221;][vc_gallery type=&#8221;image_grid&#8221; images=&#8221;7334&#8243; img_size=&#8221;500X400&#8243; title=&#8221;Man Of The Castle&#8221;][vc_column_text]<em>Artist<\/em> &#8211; <strong>BLERTA KAMBO<\/strong>[\/vc_column_text][vc_separator][vc_column_text]<strong><em>(Burr\u00eb i k\u00ebshtjell\u00ebs)<\/em><\/strong> \u00ebsht\u00eb seria fotografike q\u00eb i jep titullin ekspozit\u00ebs si dhe p\u00ebrb\u00ebn krijimin kryesor n\u00eb t\u00eb. Seria bazohet n\u00eb fotografi t\u00eb nd\u00ebrtesave me form\u00eb t\u00eb ngjashme me k\u00ebshtjellat t\u00eb nd\u00ebrtuara nga meshkuj, q\u00eb si\u00e7 pritet, kryejn\u00eb detyr\u00ebn e tyre si burri i sht\u00ebpis\u00eb, ose burri i k\u00ebshtjell\u00ebs.<\/p>\n<p>Kambo, m\u00eb pas, nd\u00ebrhyn n\u00eb m\u00ebnyr\u00eb dixhitale duke i kthyer ato n\u00eb drit\u00eb infra t\u00eb kuqe, e cila njihet edhe si drita e padukshme p\u00ebr syrin e njeriut. Vetia e drit\u00ebs infra t\u00eb kuqe kthen \u00e7do gj\u00eb rreth e p\u00ebrqark k\u00ebshtjellave n\u00eb roz\u00eb, ngjyr\u00eb e cila n\u00eb qasjen heteronormative nuk \u00ebsht\u00eb aq &#8220;burr\u00ebrore&#8221;. Efekti i k\u00ebsaj teknike b\u00ebhet m\u00eb i duksh\u00ebm kur rrethohet nga natyra, e cila gjithashtu p\u00ebrfaq\u00ebson metaforikisht energjin\u00eb fem\u00ebrore t\u00eb grave q\u00eb jetojn\u00eb n\u00ebn \u201cburrin e k\u00ebshtjell\u00ebs\u201d, pra drit\u00ebn e padukshme.<\/p>\n<p>Krijimi i peisazhit t\u00eb \u00ebndrrave bie ndesh me forc\u00ebn q\u00eb k\u00ebto nd\u00ebrtesa rreken t\u00eb p\u00ebrfaq\u00ebsojn\u00eb. P\u00ebr Kambon, patriarkati, sistemi q\u00eb n\u00ebnshtron femr\u00ebn, \u00ebsht\u00eb i nj\u00ebjti sistem q\u00eb shtyp meshkujt dhe i detyron ata t\u00eb performojn\u00eb e t\u00eb heshtin emocionalisht.<\/p>\n<p>Manifestimi i toksicitetit maskilist, ose i brisht\u00ebsis\u00eb mashkullore t\u00eb kudondodhur n\u00eb bot\u00eb, por me specifikat ballkanike, vijon me referenca t\u00eb tjera n\u00eb ekspozit\u00eb: nj\u00eb skulptur\u00eb qelqi roz\u00eb: nj\u00eb shkall\u00eb e pamundur; perde roz\u00eb: referenc\u00eb ndaj festave q\u00eb zbulojn\u00eb gjinin\u00eb e nj\u00eb bebi, por edhe t\u00eb filmit <em>Barbie<\/em>; tekstet me drit\u00eb LED me shprehje popullore misogjiniste dhe nj\u00eb seri <em>screenshot<\/em> (pamje ekrani) nga Tinder,<br \/>\naplikacioni i takimeve.[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_text_separator title=&#8221;Fotografi&#8221; title_align=&#8221;separator_align_left&#8221;][vc_gallery type=&#8221;image_grid&#8221; images=&#8221;7340,7341,7342,7343,7344,7345,7346,7347,7348,7349,7350,7351,7352,7353,7354,7355&#8243; img_size=&#8221;350X250&#8243;][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_text_separator title=&#8221;Ekspozit\u00eb&#8221; title_align=&#8221;separator_align_left&#8221;][vc_gallery type=&#8221;image_grid&#8221; images=&#8221;7334&#8243; img_size=&#8221;500X400&#8243; title=&#8221;Man Of The Castle&#8221;][vc_column_text]Artist &#8211; BLERTA KAMBO[\/vc_column_text][vc_separator][vc_column_text](Burr\u00eb i k\u00ebshtjell\u00ebs) \u00ebsht\u00eb seria fotografike q\u00eb i jep titullin ekspozit\u00ebs si dhe p\u00ebrb\u00ebn krijimin kryesor n\u00eb t\u00eb. Seria bazohet n\u00eb fotografi t\u00eb nd\u00ebrtesave me form\u00eb t\u00eb ngjashme<\/p>\n","protected":false},"author":5,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-7339","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/pages\/7339","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/cod.al\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7339"}],"version-history":[{"count":7,"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/pages\/7339\/revisions"}],"predecessor-version":[{"id":7376,"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/pages\/7339\/revisions\/7376"}],"wp:attachment":[{"href":"https:\/\/cod.al\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7339"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}