{"id":7320,"date":"2024-03-13T10:09:26","date_gmt":"2024-03-13T09:09:26","guid":{"rendered":"https:\/\/cod.al\/?page_id=7320"},"modified":"2024-03-13T15:05:11","modified_gmt":"2024-03-13T14:05:12","slug":"bujar-luca","status":"publish","type":"page","link":"https:\/\/cod.al\/?page_id=7320","title":{"rendered":"Bujar Luca"},"content":{"rendered":"

[vc_row][vc_column][vc_text_separator title=”Ekspozit\u00eb” title_align=”separator_align_left”][vc_single_image image=”7162″ img_size=”large” title=”T\u00eb prek\u00ebsh t\u00eb padukshmen”][vc_column_text]Artist\u00a0<\/em>– BUJAR LUCA<\/strong>[\/vc_column_text][vc_separator][vc_column_text]Refleksione \u2013 \u201cJet\u00eb, ngjyr\u00eb, hap\u00ebsir\u00eb\u201d<\/strong><\/em><\/p>\n

N\u00eb piktur\u00ebn e artistit Bujar Luca<\/strong><\/em>, ajo \u00e7far\u00eb rr\u00ebmben v\u00ebshtimin menj\u00ebher\u00eb \u00ebsht\u00eb forma e m\u00eb pas ngjyra. Nj\u00eb shigjetim i menj\u00ebhersh\u00ebm instiktiv p\u00ebrfshin shqis\u00ebn e v\u00ebshtrimit duke ndjell\u00eb k\u00ebrkimin drejt detajit. Tablo t\u00eb p\u00ebrmasave t\u00eb m\u00ebdha jan\u00eb ato me t\u00eb cilat vizitori prezantohet si fillim nga piktori Luca, t\u00eb cilat pas hipnoz\u00ebs fillestare na zbulojn\u00eb nj\u00eb kaleidoskop t\u00eb formuar me kujdes prej disa cop\u00ebzash unike.<\/p>\n

N\u00eb stilin e tij bashk\u00ebkohor, Bujar Luca<\/strong> eksperimenton me form\u00ebn dhe ngjyr\u00ebn, duke mos u mjaftuar me nj\u00eb imazh unik, por duke k\u00ebrkuar m\u00eb shum\u00eb mbi natyr\u00ebn e form\u00ebs dhe raportin e saj me hap\u00ebsir\u00ebn q\u00eb zot\u00ebron. Vet\u00eb natyra e form\u00ebzimit t\u00eb imazhit final, na b\u00ebn t\u00eb reflektojm\u00eb mbi stilin e tij, ku forma e ngjyra mund t\u00eb japin emocion edhe n\u00ebse shihen secila pjes\u00eb individualisht. Por k\u00ebrkimi i piktorit \u00ebsht\u00eb p\u00ebrtej t\u00eb dukshmes, duke synuar uniken e vet\u00eb qenies me figurat e tij ajrore, t\u00eb cilat na ngjajn\u00eb se po performojn\u00eb nj\u00eb vall\u00ebzim t\u00eb p\u00ebrjetsh\u00ebm. T\u00eb ekspozuara n\u00eb hap\u00ebsir\u00eb, k\u00ebto imazhe ngjajn\u00eb se frymojn\u00eb n\u00eb l\u00ebvizje, duke injoruar kufijt\u00eb fizik\u00eb t\u00eb tablos\u00eb, her\u00eb n\u00eb vorbulla spiralesh q\u00eb sh\u00ebmb\u00ebllejn\u00eb me portale dimensionesh mistike, e her\u00eb me silueta fosilesh e krijesash t\u00eb paidentifikueshme.<\/p>\n

N\u00eb nj\u00eb tjet\u00ebr hap\u00ebsir\u00eb, ku njihemi me \u201cgjenez\u00ebn e penelit\u201d t\u00eb artistit Luca, na prezantohen qart\u00ebsisht silueta m\u00eb tok\u00ebsore, personazhe t\u00eb njohur e t\u00eb panjohur, q\u00eb t\u00eb p\u00ebrbashk\u00ebt kan\u00eb v\u00ebshtrimin zhbirues. Kombinuar n\u00eb harmoni me peizazhe territoresh q\u00eb kan\u00eb l\u00ebn\u00eb gjurm\u00eb n\u00eb jet\u00ebn e artistit, i cili n\u00eb m\u00ebnyr\u00eb ndoshta instiktive, i p\u00ebrjet\u00ebson p\u00ebrmes gjurm\u00ebs s\u00eb ngjyr\u00ebs n\u00eb tablo. Skenografia mistike shfaqet e veshur me ngjyrat e \u00e7do stine, jo vet\u00ebm n\u00eb ilustrime peizazhi por edhe n\u00eb situata meditative t\u00eb nj\u00eb natyre t\u00eb qet\u00eb ku subjeti dhe objekti frymojn\u00eb nj\u00ebsoj. K\u00ebto vizatime, piktura e grafika, jan\u00eb n\u00eb fakt nj\u00eb rekuiem i vet\u00eb jet\u00ebs s\u00eb artistit n\u00eb Shqip\u00ebrin\u00eb e turbulluar t\u00eb viteve \u201870 -\u201880, q\u00eb<\/p>\n

d\u00ebshmojn\u00eb si gur\u00eb themeli fuqin\u00eb e d\u00ebshir\u00ebs p\u00ebr t\u00eb dal\u00eb jasht\u00eb kornizimeve, t\u00eb p\u00ebrcaktuara nga absurditeti i artit mbyllur n\u00eb kafaz.<\/p>\n

Rrug\u00ebtimi i liris\u00eb nis pas viteve \u201890, ku piktori Luca<\/strong> na e rr\u00ebfen qart\u00eb p\u00ebrmes tablove t\u00eb ekspozuara n\u00eb korridore, simbolik\u00eb e nj\u00eb rruge q\u00eb tanim\u00eb merr form\u00eb. Figurat ajrore vall\u00ebzojn\u00eb m\u00eb n\u00eb fund n\u00eb hap\u00ebsir\u00ebn pafund\u00ebsisht t\u00eb lir\u00eb, si nj\u00eb frym\u00ebmarrje e munguar q\u00eb rr\u00ebfen ngjarje t\u00eb s\u00eb shkuar\u00ebs dhe t\u00eb tashmes. Por me t\u00eb gjith\u00eb transformimin q\u00eb piktura e Bujar Luc\u00ebs<\/strong> p\u00ebson, nuk \u00ebsht\u00eb aspak braktisje e stilit, por evolucion i tij. Larg atdheut, ai zbulon horizonte t\u00eb reja, pa harruar t\u00eb rikthehet p\u00ebrmes piktur\u00ebs n\u00eb vendlindje, p\u00ebrmes ngjarjesh q\u00eb l\u00ebn\u00eb gjurm\u00eb si trazirat e viteve \u201896 -\u201897, p\u00ebrjet\u00ebsuar n\u00eb triptikun \u201cShkat\u00ebrrimet e luft\u00ebs\u201d. P\u00ebrpos mallit njer\u00ebzor t\u00eb ndarjes e ndjesive t\u00eb nj\u00eb atdheu n\u00eb tranzicion, ajo \u00e7far\u00eb b\u00ebn p\u00ebrshtypje \u00ebsht\u00eb rizbulimi i vetvetes p\u00ebmes pikturave realizuar me \u201csy mbyllur e shpirtin hapur\u201d.<\/p>\n

N\u00eb kthes\u00ebn e k\u00ebtij rrug\u00ebtimi gjejm\u00eb p\u00ebrs\u00ebri simbolik\u00ebn si epiqend\u00ebr, ku 11 tablo na shfaqen si pergamena t\u00eb zeza veshur me kaligrafi e imazhe mistike. Realizuar t\u00eb shtrira n\u00eb koh\u00eb (2006-2020), k\u00ebto tablo ngjajn\u00eb me nj\u00eb ditar ku artisti her\u00eb pas here hedh sh\u00ebnime e skica t\u00eb cilat mund t\u2019i deshifroj\u00eb vet\u00ebm ai. Por n\u00eb estetik\u00ebn e tyre, k\u00ebto hieroglife t\u00eb argjendta ftojn\u00eb vizitorin p\u00ebr t\u2019i zbuluar n\u00eb nj\u00eb dialog l\u00ebvizjesh t\u00eb vazhdueshme.<\/p>\n

N\u00eb mbyllje t\u00eb siparit, si nj\u00eb ftes\u00eb private p\u00ebr t\u00eb zbuluar m\u00eb tep\u00ebr, ftohemi n\u00eb sall\u00ebn e \u201cgurit\u201d ku muret p\u00ebrreth \u201ctavolin\u00ebs demokratike\u201d vishen me grafika mbres\u00ebl\u00ebn\u00ebse, t\u00eb realizuara n\u00eb vitin 1993. Ve\u00e7antia e tyre, p\u00ebrpos stilit t\u00eb vrullsh\u00ebm e imponues, q\u00ebndron n\u00eb materien e realizimit. Nj\u00eb prej rasteve konkrete kur mjetet justifikojn\u00eb q\u00ebllimin \u00ebsht\u00eb ky cik\u00ebl grafikash, q\u00eb na reflekton jo vet\u00ebm k\u00ebrkimin p\u00ebr l\u00ebnd\u00ebn e par\u00eb (letr\u00ebn), por edhe k\u00ebrkimin p\u00ebr t\u2019u \u00e7liruar nga nyjet e nj\u00eb izolimi t\u00eb panevojsh\u00ebm artistik. Si nj\u00eb d\u00ebshmi simbolike, artisti p\u00ebrdor letrat e fundit shqiptare me nj\u00eb teknik\u00eb q\u00eb n\u00eb vendlindjen e tij, nuk do t\u00eb ishte mir\u00ebpritur aspak.<\/p>\n

Bujar Luca<\/strong><\/em> niset nga periferia e vetvetes drejt qendr\u00ebs s\u00eb tij, duke k\u00ebrkuar vazhdimisht uniken, pa kompromise. Ndaj kjo ekspozit\u00eb \u00ebsht\u00eb p\u00ebrtej retrospektiv\u00ebs klasike t\u00eb nj\u00eb artisti. Duke na rr\u00ebfyer nj\u00eb jet\u00eb n\u00eb veprim e l\u00ebvizje t\u00eb vazhdueshme, vendosm\u00ebris\u00eb e d\u00ebshir\u00ebs p\u00ebr liri, ashtu si krijimtaria duhet t\u00eb marr\u00eb jet\u00eb, Bujar Luca i thur vargjet e ngjyrave p\u00ebrtej t\u00eb dukshmes, ku intuita e ajrorja q\u00ebndrojn\u00eb n\u00eb harmoni t\u00eb plot\u00eb.[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_text_separator title=”Fotografi” title_align=”separator_align_left”][vc_gallery type=”image_grid” images=”7321,7322,7323,7324,7325,7326,7378,7379,7380,7381,7382,7383,7384,7385,7386,7387,7388,7389,7390,7391,7392,7393,7394,7395″ img_size=”medium”][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][vc_text_separator title=”Ekspozit\u00eb” title_align=”separator_align_left”][vc_single_image image=”7162″ img_size=”large” title=”T\u00eb prek\u00ebsh t\u00eb padukshmen”][vc_column_text]Artist\u00a0– BUJAR LUCA[\/vc_column_text][vc_separator][vc_column_text]Refleksione \u2013 \u201cJet\u00eb, ngjyr\u00eb, hap\u00ebsir\u00eb\u201d N\u00eb piktur\u00ebn e artistit Bujar Luca, ajo \u00e7far\u00eb rr\u00ebmben v\u00ebshtimin menj\u00ebher\u00eb \u00ebsht\u00eb forma e m\u00eb pas ngjyra. Nj\u00eb shigjetim i menj\u00ebhersh\u00ebm instiktiv p\u00ebrfshin shqis\u00ebn e<\/p>\n","protected":false},"author":5,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-7320","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/pages\/7320","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/cod.al\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7320"}],"version-history":[{"count":9,"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/pages\/7320\/revisions"}],"predecessor-version":[{"id":7397,"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/pages\/7320\/revisions\/7397"}],"wp:attachment":[{"href":"https:\/\/cod.al\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7320"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}