{"id":7275,"date":"2024-03-13T09:50:13","date_gmt":"2024-03-13T08:50:13","guid":{"rendered":"https:\/\/cod.al\/?page_id=7275"},"modified":"2024-03-13T09:50:13","modified_gmt":"2024-03-13T08:50:13","slug":"edi-hila","status":"publish","type":"page","link":"https:\/\/cod.al\/?page_id=7275","title":{"rendered":"Edi Hila"},"content":{"rendered":"

[vc_row][vc_column][vc_text_separator title=”Ekspozit\u00eb” title_align=”separator_align_left”][vc_single_image image=”7276″ img_size=”medium” title=”TERRITORE T\u00cb P\u00cbRVOJAVE T\u00cb JETUARA”][vc_column_text]TERRITORE T\u00cb P\u00cbRVOJAVE T\u00cb JETUARA<\/strong><\/p>\n

Tet\u00eb vepra ekspozohen p\u00ebr her\u00eb t\u00eb par\u00eb n\u00eb COD dhe jan\u00eb nj\u00eb p\u00ebrzgjedhje e autorit prej disa ciklesh piktorike, q\u00eb shp\u00ebrfaqin frym\u00ebn e disa ndalesave t\u00eb p\u00ebrkohshme gjat\u00eb nj\u00eb rrug\u00ebtimi. K\u00ebto piktura p\u00ebrvijojn\u00eb thurim\u00ebn e nj\u00ebfar\u00ebsoj harte, n\u00eb t\u00eb cil\u00ebn \u201cvendet\u201d shkojn\u00eb p\u00ebrtej kufijve fizik\u00eb duke u shtrir\u00eb n\u00eb aluzione evokuese. Jan\u00eb territore, krijesa dhe objekte q\u00eb pulsojn\u00eb lehtas n\u00ebn nj\u00eb r\u00ebndes\u00eb atmosferike, imazhe q\u00eb reflektojn\u00eb p\u00ebrvojat dhe p\u00ebrjetimet e tij. P\u00ebrmes tyre ndjejm\u00eb t\u00ebhuajzimin, n\u00ebp\u00ebr t\u00eb cilin jemi p\u00ebrshkue vitet e fundit, n\u00ebn nj\u00eb klim\u00eb k\u00ebrc\u00ebnuese shkaktuar prej fatkeq\u00ebsis\u00eb natyrore, pandemis\u00eb, luft\u00ebs, t\u00eb gjendur mes pritjesh t\u00eb pezullta. \u00cbsht\u00eb nj\u00eb gjendje njer\u00ebzore q\u00eb ka p\u00ebsuar humbjen, ndarjen, izolimin q\u00eb p\u00ebrmban frik\u00ebn.<\/p>\n

N\u00eb k\u00ebt\u00eb p\u00ebrzgjedhje pikturash shfaqen rrug\u00eb, karuzel\u00eb, tenda, makina, e s\u00eb fundmi n\u00ebntoka e metrove. Prej koh\u00ebsh Hila kish vrojtue \u00e7ka ndodh n\u00eb rrug\u00eb dhe anash saj. K\u00ebsaj here, rrug\u00ebt kan\u00eb n\u00eb mes dhoma, prej dritareve t\u00eb t\u00eb cilave l\u00ebkunden perde brendish. Duket nj\u00eb soj heterotopie e kthyer mbrapsht. Rruga shfaqet e shkret\u00eb dhe e poseduar fshehtas nga nj\u00eb trill qe shpreh nj\u00eb t\u00eb ndjer\u00eb keq, t\u00eb lidhur me nostalgjin\u00eb e f\u00ebmij\u00ebris\u00eb. E k\u00ebshtu fanitet nj\u00eb karuzel, dal\u00eb jasht\u00eb p\u00ebrdorimi, si mbetje e nj\u00eb zikurati t\u00eb nj\u00eb epoke t\u00eb shkuar. Motivi i tend\u00ebs, si streh\u00eb e p\u00ebrkohshme e nj\u00eb ekskursionisti t\u00eb pat\u00ebkeq, prej linjave-forca q\u00eb e p\u00ebrshkojn\u00eb, na shfaqet si nj\u00eb arkitektur\u00eb efimere.<\/p>\n

Itinerari i piktorit l\u00eb sip\u00ebrfaqen dhe zbret n\u00eb stacionet n\u00ebntok\u00ebsore t\u00eb metros\u00eb q\u00eb b\u00ebhet metafizike, pa referenca etnike. Imazhi i nj\u00eb metroje \u00ebsht\u00eb m\u00eb i p\u00ebrbotsh\u00ebm, e prandaj m\u00eb anonim. Figurat renditen t\u00eb rrokjezuara si n\u00eb nj\u00eb ikonostas prej ndarjeve arkitektonike n\u00eb gjat\u00ebsoren e metros\u00eb, q\u00eb i zhvendos horizontalisht teksa rrin\u00eb pa l\u00ebvizur. I shohim p\u00ebrtej nj\u00eb xhami t\u00eb trash\u00eb, q\u00eb ndan ato q\u00eb presin t\u00eb hyjn\u00eb nga ato q\u00eb presin t\u00eb dalin, por sidomos ruan ato q\u00eb presin ikjen e tramit… prej r\u00ebnies n\u00eb humnerat e vet\u00ebvrasjes. Xhami p\u00ebrb\u00ebn at\u00eb ndarje-mburoj\u00eb t\u00eb tejdukshme q\u00eb \u00ebsht\u00eb realisht aty, por q\u00eb \u00ebsht\u00eb edhe tipar i mediumeve teknologjike, t\u00eb cilin Susan Sontag e p\u00ebrshkruan si \u201cNd\u00ebrmjet\u00ebsi q\u00eb shmang kontaktin real\u201d. Izolimi ka p\u00ebrforcuar r\u00ebndsh\u00ebm komunikimin virtual duke shmang\u00eb at\u00eb fizik… edhe kur pandemia \u00ebsht\u00eb fashitur. Komunikimi fizik dhe shpirt\u00ebror i njer\u00ebzve q\u00eb rrin\u00eb bashk\u00eb n\u00eb t\u00eb nj\u00ebjtin mjedis \u00ebsht\u00eb fikur. Ndjeshm\u00ebria kundrejt k\u00ebtyre situatave p\u00ebrthehet n\u00eb nj\u00eb shpirt t\u00eb trazuar kritik q\u00eb beson tek piktura, mund\u00ebsia dhe \u00ebndja e shprehjes n\u00ebp\u00ebrmjet saj. Fenomenet dhe q\u00ebndrimet kundrejt tyre dalin vetvetiu n\u00eb pah prej asaj pikture p\u00ebrmes rafinimit, klasik\u00ebzueses, p\u00ebrt\u00ebritjes s\u00eb thell\u00ebsis\u00eb perspektive.<\/p>\n

Spiralja e k\u00ebrkimit artistik t\u00eb Edi Hil\u00ebs, aktualisht largohet paksa nga fryma m\u00eb realiste e pikturave t\u00eb viteve 2000. Tashm\u00eb shfaqen sh\u00ebmb\u00eblltyra n\u00eb shnd\u00ebrrim q\u00eb sh\u00ebnjojn\u00eb pezullin\u00eb. Orvatja e tij nuk shkon drejt dh\u00ebnies s\u00eb asaj \u00e7ka duket, por drejt b\u00ebrjes t\u00eb dukshme t\u00eb nj\u00eb di\u00e7kaje. E kjo e \u00e7on n\u00eb nj\u00eb p\u00ebrmas\u00eb t\u00eb brendshme q\u00eb rreket t\u00eb shprehet p\u00ebr at\u00eb \u00e7ka moleps ajrin, atmosfer\u00ebn q\u00eb nuhasim, prej transparencave dhe reflektimeve. K\u00ebto figura njer\u00ebzore, t\u00eb pranishme vet\u00ebm n\u00ebntok\u00eb, si n\u00eb nj\u00eb limbo prej t\u00eb cilit nuk dihet nga do t\u00eb shkojn\u00eb, presin e komunikojn\u00eb me di\u00e7ka p\u00ebrtej. At\u00ebher\u00eb, me nostalgji p\u00ebr pozitiviz\u00ebm, pikturon t\u00ebrheqjen antigravitacionale t\u00eb personazheve t\u00eb tij, q\u00eb ata t\u00eb ngjiten lart. Fluturimin virtual e p\u00ebrkthen n\u00eb leht\u00ebsin\u00eb dhe hirin e pikturimit.<\/p>\n

Kjo ekspozit\u00eb p\u00ebrb\u00ebn nj\u00eb meditim mbi ato territore p\u00ebrjetimesh, q\u00eb pohojn\u00eb rropatjen e pareshtur t\u00eb qenies njer\u00ebzore me besim p\u00ebrball\u00eb fatalitetit.<\/p>\n

Edi Hila<\/strong><\/em> \u00ebsht\u00eb nj\u00eb nga piktor\u00ebt e r\u00ebnd\u00ebsish\u00ebm n\u00eb artin bashk\u00ebkohor shqiptar. Ai kreu studimet e larta p\u00ebr piktur\u00eb, n\u00eb Institutin e Lart\u00eb t\u00eb Arteve (1963-1967). N\u00eb momentet e para t\u00eb krijimtaris\u00eb ai shprehet p\u00ebrmes kompozimit. M\u00eb von\u00eb zbulon peisazhin si t\u00eb p\u00ebrshtatsh\u00ebm, p\u00ebr t\u00eb \u00e7uar m\u00eb tej cil\u00ebsit\u00eb estetike t\u00eb piktur\u00ebs s\u00eb tij. Tek peizazhi ai gjen hap\u00ebsirat e nevojshme p\u00ebr trajtimin e problematikave t\u00eb mprehta q\u00eb shoq\u00ebrojn\u00eb tranzicionin p\u00ebrgjat\u00eb shum\u00eb viteve n\u00eb vendin ton\u00eb.<\/p>\n

Duhet th\u00ebn\u00eb se krijimtaria e Hil\u00ebs \u00ebsht\u00eb realiste n\u00eb kuptimin m\u00eb t\u00eb gjer\u00eb t\u00eb fjal\u00ebs, e shoq\u00ebruar me elemente konceptuale, si n\u00eb planin estetik ashtu edhe n\u00eb p\u00ebrmbajtjen e saj. Pik\u00ebnisja e k\u00ebtij q\u00ebndrimi kan\u00eb qen\u00eb vitet 1974-1980. Gjat\u00eb k\u00ebsaj periudhe, Hila p\u00ebrballet nga af\u00ebr me v\u00ebshtir\u00ebsit\u00eb e jet\u00ebs n\u00eb nj\u00eb realitet kompleks, n\u00eb t\u00eb cilin ishin t\u00eb p\u00ebrfshir\u00eb ai vet\u00eb, por edhe populli i tij (pun\u00ebtor\u00eb, burra, gra, administrator\u00eb, informator\u00eb, sekretar\u00eb partie e t\u00eb tjer\u00eb), t\u00eb cil\u00ebt n\u00eb m\u00ebnyr\u00ebn e tyre vuanin persekutimin, disa varf\u00ebrin\u00eb, t\u00eb tjer\u00eb p\u00ebrpiqeshin t\u00eb mbijetonin pasigurin\u00eb apo frik\u00ebn, nd\u00ebrsa t\u00eb tjer\u00eb hipokrizin\u00eb e koh\u00ebs.<\/p>\n

M\u00ebnyra e t\u00eb parit dhe jetuarit t\u00eb jet\u00ebs, n\u00eb marr\u00ebdh\u00ebnie me situatat q\u00eb p\u00ebrcjell aktualiteti jet\u00ebsor i dit\u00ebs, i kan\u00eb dh\u00ebn\u00eb form\u00eb nj\u00eb krijimtarie q\u00eb shkon drejt nj\u00eb pikture me element\u00eb t\u00eb konceptit. N\u00eb k\u00ebt\u00eb m\u00ebnyr\u00eb ai krijoi disa cikle piktorike si: \u201cShkodra\u201d, 1990-1991; \u201cKonfort\u201d, 1998; \u201cPortrete sht\u00ebpish\u201d, 2000; \u201cOmazh-Imazh\u201d, Onufri 2002; \u201cPenthouse\u201c, 2013; \u201cObjekte anash rrug\u00ebs\u201c, 2008-2009; Galeria \u201cMitterrand\u201d, Paris.<\/p>\n

Ekspozoi n\u00eb ekspozita dhe konkurse t\u00eb r\u00ebnd\u00ebsishme si: \u201cDocumenta 14\u201d, Athin\u00eb dhe Kassel, 2017; Biennale e Arkitektur\u00ebs, Venezia, 2013; Liverpool Biennale, 2009; \u201cArchitecture Association\u201d, Lond\u00ebr, 2015; Marian Goodman Gallery \u201cSome Artists\u201d, 2014; Museu historik i Berlinit \u201cThe Desire for Freedom\u201d, Arti n\u00eb Europ\u00eb, 2012; etj.<\/p>\n

Pun\u00ebt e tij jan\u00eb n\u00eb Koleksionin e \u201cCentre Pompidou\u201d, Paris; \u201cGaleria Komb\u00ebtare e Arteve\u201d, Tiran\u00eb; Koleksioni privat i \u201cRene Block\u201d; Frac-Auvergne; Koleksioni \u201cVille de Paris\u201d.[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_text_separator title=”Fotografi” title_align=”separator_align_left”][vc_gallery type=”image_grid” img_size=”medium”][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][vc_text_separator title=”Ekspozit\u00eb” title_align=”separator_align_left”][vc_single_image image=”7276″ img_size=”medium” title=”TERRITORE T\u00cb P\u00cbRVOJAVE T\u00cb JETUARA”][vc_column_text]TERRITORE T\u00cb P\u00cbRVOJAVE T\u00cb JETUARA Tet\u00eb vepra ekspozohen p\u00ebr her\u00eb t\u00eb par\u00eb n\u00eb COD dhe jan\u00eb nj\u00eb p\u00ebrzgjedhje e autorit prej disa ciklesh piktorike, q\u00eb shp\u00ebrfaqin frym\u00ebn e disa ndalesave t\u00eb<\/p>\n","protected":false},"author":5,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-7275","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/pages\/7275","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/cod.al\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7275"}],"version-history":[{"count":1,"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/pages\/7275\/revisions"}],"predecessor-version":[{"id":7277,"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/pages\/7275\/revisions\/7277"}],"wp:attachment":[{"href":"https:\/\/cod.al\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7275"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}