{"id":7188,"date":"2024-03-12T11:40:25","date_gmt":"2024-03-12T10:40:25","guid":{"rendered":"https:\/\/cod.al\/?page_id=7188"},"modified":"2024-03-13T09:26:48","modified_gmt":"2024-03-13T08:26:48","slug":"gjelosh-gjokaj","status":"publish","type":"page","link":"https:\/\/cod.al\/?page_id=7188","title":{"rendered":"Gjelosh Gjokaj"},"content":{"rendered":"

[vc_row][vc_column][vc_text_separator title=”Ekspozit\u00eb” title_align=”separator_align_left”][vc_single_image image=”7189″ img_size=”medium”][vc_column_text]Maestro Gjelosh Gjokaj, 90 \u2013 vjetori i lindjes<\/strong><\/p>\n

N\u00eb fazat e hershme Gjelosh Gjokaj krijonte art me tipare emblematike dhe narrative dometh\u00ebn\u00ebse. Mund t\u00eb ndalemi te pikturat me figura pa identitet, si lodra f\u00ebmij\u00ebsh, q\u00eb paraqiten n\u00eb ciklet e hershme t\u00eb Gjokajt, t\u00eb rreshtuara ose t\u00eb \u201cmobilizuara\u201d si falanga totalitare. Shpesh ato kan\u00eb pamje mekanike ose robotike, si p\u00ebrfytyrim i ideve t\u00eb jet\u00ebs moderne teknike me pasoja dehumanizuese p\u00ebr shoq\u00ebrin\u00eb.<\/p>\n

N\u00eb fillime, arti i Gjokajt pati q\u00ebndrimin q\u00eb u referohet p\u00ebrvojave t\u00eb tij nga Lufta e Dyt\u00eb Bot\u00ebrore, kur ishte adoleshent, po ashtu edhe pas p\u00ebrjetimeve t\u00eb Luft\u00ebs s\u00eb Ftoht\u00eb, nj\u00eb k\u00ebrc\u00ebnim i vazhduesh\u00ebm q\u00eb mund t\u00eb \u00e7onte drejt luft\u00ebs b\u00ebrthamore dhe asgj\u00ebsimit t\u00eb njer\u00ebzimit.<\/p>\n

Ky q\u00ebndrim antiteknicist i Gjokajt m\u00eb von\u00eb (n\u00eb veprat e viteve \u201870 e \u201880), sikur i referohet nj\u00eb teme q\u00eb sot \u00ebsht\u00eb duke u b\u00ebr\u00eb gjithnj\u00eb e m\u00eb aktuale, mbi konkurrenc\u00ebn midis njeriut dhe robotit, p\u00ebrkat\u00ebsisht makineris\u00eb inteligjente shum\u00eb m\u00eb t\u00eb p\u00ebrsosur dhe m\u00eb jet\u00ebgjat\u00eb se njeriu.<\/p>\n

N\u00eb t\u00eb v\u00ebrtet\u00eb, imazhet e Gjokajt kan\u00eb di\u00e7ka heidegeriane. Filozofi gjerman Martin Heidegger shkruan n\u00eb vitet \u201850-t\u00eb p\u00ebr \u201ct\u00eb shkretuarit e tok\u00ebs\u201d, \u201cshnd\u00ebrrimin e njeriut n\u00eb l\u00ebnd\u00eb t\u00eb par\u00eb\u201d, \u201cn\u00eb subjekt shfryt\u00ebzimi\u201d.<\/p>\n

Seria e busteve dhe e \u201ckokave q\u00eb mbijn\u00eb\u201d t\u00eb Gjokajt, ku ai paraqet p\u00ebrpjekjet groteske t\u00eb riparimit, ose t\u00eb rindreqjes s\u00eb dhunshme shkel e shko t\u00eb njeriut, sikur na zbulon nj\u00eb depo imazhesh me ilustrime direkte t\u00eb k\u00ebtyre ideve heidegeriane t\u00eb viteve \u201850 dhe \u201860.<\/p>\n

N\u00eb vitet \u201880, Gjokaj largohet nga imazhet e m\u00ebhershme q\u00eb e p\u00ebrfaq\u00ebsonin dhe i afrohet asaj q\u00eb Merleau Ponty e quante \u201cbot\u00eb e heshtur pikturale\u201d.<\/p>\n

Me ngadal\u00eb ai i shmanget kompozicionit kryesisht statik, si dhe qasjes se m\u00ebparshme figurative. N\u00eb vend t\u00eb vijave t\u00eb theksuara dhe t\u00eb figur\u00ebs karakteristike, Gjokaj interesohet n\u00eb k\u00ebt\u00eb faz\u00eb p\u00ebr raportet abstrakte dhe p\u00ebrplasjet e hap\u00ebsirave dhe ngjyrave. N\u00eb piktur\u00ebn e tij futet rrokullisja e formave dhe e makinave t\u00eb plasaritura n\u00eb momentin pas shp\u00ebrthimit, ose imazhet e kacafytjeve vet\u00ebvras\u00ebse t\u00eb organizmave t\u00eb mekanizuara.<\/p>\n

N\u00eb veprat e viteve \u201890, Gjokaj i shmanget krejt\u00ebsisht qasjes s\u00eb \u201cpikturimit\u201d t\u00eb ideve dhe t\u00eb porosive, ndaj s\u00eb cil\u00ebs kishte qen\u00eb besnik m\u00eb shum\u00eb se tri dekada. Mbetjet e realitetit n\u00eb piktur\u00ebn e tij t\u00eb k\u00ebsaj faze jan\u00eb di\u00e7ka q\u00eb do t\u00eb mun sid ta quanim sken\u00eb e flukseve dhe e p\u00ebrplasjeve. Artisti edhe m\u00eb pas e ruan ndjesin\u00eb baz\u00eb t\u00eb nj\u00eb poetike t\u00eb konfliktit, por tani me forma krejt\u00ebsisht t\u00eb derdhura abstrakte, n\u00eb t\u00eb cilat nuk mund t\u00eb dallohet asnj\u00eb figur\u00eb reale.<\/p>\n

Kurator: Shk\u00eblzen Maliqi<\/em>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_text_separator title=”Fotografi” i_icon_fontawesome=”fa fa-camera” i_color=”juicy_pink” title_align=”separator_align_left” add_icon=”true”][vc_gallery type=”image_grid” images=”7193,7194,7195,7196,7197,7198,7199,7200,7201,7202,7203,7204,7205,7206,7207,7208,7209,7210,7211,7212,7213,7214,7215,7216,7217,7218,7219,7220″ img_size=”medium”][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][vc_text_separator title=”Ekspozit\u00eb” title_align=”separator_align_left”][vc_single_image image=”7189″ img_size=”medium”][vc_column_text]Maestro Gjelosh Gjokaj, 90 \u2013 vjetori i lindjes N\u00eb fazat e hershme Gjelosh Gjokaj krijonte art me tipare emblematike dhe narrative dometh\u00ebn\u00ebse. Mund t\u00eb ndalemi te pikturat me figura pa identitet, si lodra f\u00ebmij\u00ebsh, q\u00eb paraqiten<\/p>\n","protected":false},"author":5,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-7188","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/pages\/7188","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/cod.al\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7188"}],"version-history":[{"count":5,"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/pages\/7188\/revisions"}],"predecessor-version":[{"id":7192,"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/pages\/7188\/revisions\/7192"}],"wp:attachment":[{"href":"https:\/\/cod.al\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7188"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}