{"id":6706,"date":"2021-07-14T12:14:27","date_gmt":"2021-07-14T11:14:27","guid":{"rendered":"http:\/\/cod.al\/?page_id=6706"},"modified":"2021-07-22T14:18:10","modified_gmt":"2021-07-22T13:18:10","slug":"killing-time","status":"publish","type":"page","link":"https:\/\/cod.al\/?page_id=6706","title":{"rendered":"KILLING TIME"},"content":{"rendered":"

[vc_row full_width=”stretch_row_content”][vc_column][vc_text_separator title=”Ekspozit\u00eb” i_icon_fontawesome=”fa fa-arrow-right” i_color=”black” i_size=”sm” title_align=”separator_align_left” add_icon=”true”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content”][vc_column width=”1\/4″][\/vc_column][vc_column width=”1\/2″][vc_single_image image=”6701″ img_size=”full”][vc_column_text]<\/p>\n

KILLING TIME
\n<\/strong>Adrian \u00c7ene<\/strong><\/h2>\n

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\u201cRri hapur n\u00eb nj\u00eb shoq\u00ebri t\u00eb mbyllur dhe zgjo instinktin t\u00ebnd. L\u00ebre k\u00ebt\u00eb instinkt t\u00eb v\u00ebrshoj\u00eb e kupto si ndizet gjaku n\u00eb nj\u00eb p\u00ebrplasje fatlume t\u00eb kontaminimit me t\u00eb ngjashmit e shumt\u00eb. Vrite koh\u00ebn dhe jeto n\u00eb zjarr t\u00eb lart\u00eb.\u201d<\/b><\/h4>\n

[\/vc_column_text][vc_column_text]Arti lind, shkaktohet, drith\u00ebron gjithher\u00eb aty ku duket e pamundur. Ai \u00ebsht\u00eb nj\u00eb perceptim relativ n\u00eb vler\u00eb, sepse sa m\u00eb shum\u00eb i largohemi si optik\u00eb, aq m\u00eb shum\u00eb merr reflekset e nj\u00eb relativiteti t\u00eb ri e t\u00eb diskutuesh\u00ebm p\u00ebr at\u00eb q\u00eb propozon. K\u00ebt\u00eb paq\u00ebndrueshm\u00ebri n\u00eb koh\u00eb atij ia jep vet\u00eb materia, po aq sa edhe artist\u00ebt, q\u00eb kan\u00eb n\u00eb vetvete nj\u00eb udh\u00ebtim t\u00eb \u00e7uditsh\u00ebm, duke e l\u00ebkundur q\u00ebndrueshm\u00ebrin\u00eb e artit me format e tyre t\u00eb m\u00ebdha sunduese apo shenj\u00ebl\u00ebn\u00ebse n\u00eb koh\u00eb.<\/span><\/p>\n

Adrian \u00c7ene \u00ebsht\u00eb nj\u00eb artist kontradiktor, i cili n\u00eb thelb e ka zhvendosur konceptin e koh\u00ebs n\u00eb nj\u00eb form\u00eb t\u00eb lir\u00eb, ku aleanc\u00ebn e tij p\u00ebrmbush\u00ebse e identifikon me ngaz\u00ebllimin q\u00eb t\u00eb jep natyra dhe kund\u00ebrtregimi i mistert\u00eb i ngjyrave. \u00c7ene mundohet t\u00eb krijoj\u00eb nj\u00eb marr\u00ebdh\u00ebnie vetjake me bot\u00ebn q\u00eb e rrethon, n\u00ebn motin e nj\u00eb fjalori t\u00eb hapur p\u00ebr t\u00eb shtuar apo p\u00ebr t\u00eb hequr n\u00eb t\u00eb gjitha p\u00ebrthyerjet n\u00eb rrafshin p\u00ebrzgjedh\u00ebs.\u00a0<\/span><\/p>\n

N\u00eb thelb \u00c7ene \u00ebsht\u00eb si nj\u00eb f\u00ebmij\u00eb n\u00eb emocion t\u00eb par\u00eb, q\u00eb nuk pranon t\u00eb shk\u00ebputet nga atdheu mistik e sugjestiv i piktur\u00ebs. Nj\u00eb piktor q\u00eb me udh\u00ebtimin e tij t\u00eb kujton nj\u00eb zjarr t\u00eb paduksh\u00ebm p\u00ebr bot\u00ebn e art\u00eb t\u00eb piktur\u00ebs, koh\u00ebn e mjesht\u00ebrve q\u00eb e transformuan artin e tyre n\u00eb nj\u00eb var\u00ebsi lart\u00ebsuese t\u00eb shpirt\u00ebrores. <\/span>Duket sikur vepra i jep atij rolin e nj\u00eb \u201cpistoleroje\u201d, i cili \u00ebsht\u00eb i gatsh\u00ebm ta mbroj\u00eb shkarkes\u00ebn e tij artistike me \u00e7do \u00e7mim. \u00cbsht\u00eb kjo arrati e fantazis\u00eb q\u00eb e vesh qenien e artistit me personalitet, q\u00eb m\u00eb pas guxon \u201ct\u00eb vras\u00eb koh\u00ebn\u201d me nj\u00eb leht\u00ebsi deh\u00ebse e t\u00eb pashpjegueshme.<\/span><\/p>\n

\u00c7ene nuk <\/span>zbukuron, as nuk p\u00ebrdor truke estetizuese, por si nj\u00eb \u201croker\u201d aktesh pamore e nd\u00ebrton vepr\u00ebn e tij n\u00eb nj\u00eb flirt t\u00eb vazhduesh\u00ebm me publikun, n\u00eb nj\u00eb udh\u00ebtim p\u00ebrkund\u00ebr referencave n\u00eb vijime t\u00eb parashtruara si kahje historike.\u00a0 Udh\u00ebtimet e \u00c7enes si gjuetar ngjyrash jan\u00eb t\u00eb kapura n\u00eb cip t\u00eb zgjedhjes s\u00eb par\u00eb emocionale. Ai i shkrep tensionet sh\u00ebtit\u00ebse mbi realitetin q\u00eb e rrethon, me ep\u00ebrsin\u00eb e dukshme t\u00eb nj\u00eb narcizisti n\u00eb nj\u00eb fush\u00eb t\u00eb magnetizuar q\u00eb bashk\u00ebjeton me artistin. Ai kalon nga gjendja n\u00eb gjendje i shp\u00ebrqendruar dhe i papritur. N\u00eb krejt k\u00ebrkimin e tij instinktivja merr nj\u00eb status ky\u00e7.<\/span><\/p>\n

\u201cKilling time\u201d \u00ebsht\u00eb nj\u00eb shkarkes\u00eb p\u00ebr nj\u00eb karakter t\u00eb ve\u00e7ant\u00eb q\u00eb mban boshtin e nj\u00eb krijimtarie t\u00eb shthurur e sh\u00ebtit\u00ebse, e cila ka nevoj\u00eb t\u00eb rrethohet me fjal\u00eb e fjali zbuluese, si nj\u00eb akt i ve\u00e7uar i stilit t\u00eb sjelljes, ku artisti sfidon koh\u00ebn duke kthyer akrepat pas n\u00ebp\u00ebr riciklime t\u00eb pakontrolluara t\u00eb ngasjes s\u00eb vet\u00ebdijes.\u00a0<\/span><\/p>\n

Prania e artistit n\u00eb hap\u00ebsirat e COD-it i jep atij nj\u00eb mund\u00ebsi t\u00eb vyer p\u00ebr t\u00eb ngritur nj\u00eb dialog me zhvillimet e artit sot, jo vet\u00ebm n\u00eb artet pamore, por edhe n\u00eb domenin e kultur\u00ebs n\u00eb t\u00ebr\u00ebsi.<\/span><\/p>\n

Vepra e tij n\u00eb k\u00ebt\u00eb ekspozit\u00eb ndahet n\u00eb tri pjes\u00eb: fillimet, angazhimi me piktur\u00ebn informale dhe faza ku fabulat jet\u00ebsore kthehen n\u00eb pretekste t\u00eb piktur\u00ebs dhe nd\u00ebrtojn\u00eb nj\u00eb komunikim m\u00eb njer\u00ebzor, m\u00eb t\u00eb kapsh\u00ebm. I vetmi bosht bashkues \u00ebsht\u00eb ideja e ringjalljes s\u00eb idealeve t\u00eb piktur\u00ebs si shenj\u00eb godit\u00ebse plot afsh, pa orvatje akademike, por si nj\u00eb frym\u00eb shkat\u00ebrruese q\u00eb endet eg\u00ebr n\u00eb nj\u00eb rivendosje rendi vlerash, q\u00eb historia p\u00ebrmes artist\u00ebsh i risjell n\u00eb p\u00ebrs\u00ebritjen e saj, duke na kujtuar se jemi b\u00ebr\u00eb ca si shum\u00eb shkencor\u00eb e racional\u00eb.<\/span><\/p>\n

\u00c7ene \u00ebsht\u00eb p\u00ebrfaq\u00ebsim i akteve shpirt\u00ebrore, q\u00eb b\u00ebhet i pranish\u00ebm me sjelljen e tij her\u00eb n\u00eb kontekst t\u00eb koh\u00ebs e her\u00eb p\u00ebrjashta saj si nj\u00eb k\u00ebrkes\u00eb p\u00ebr t\u00eb modeluar nevoj\u00ebn e tij shpirt\u00ebrore, nj\u00eb aleanc\u00eb e vjet\u00ebr dhe e ndryshueshme n\u00eb koh\u00eb.\u00a0<\/span><\/p>\n

Kurator: Vladimir Myrtezai<\/p>\n

Lindur m\u00eb 19 shkurt 1969 n\u00eb Tiran\u00eb, <\/span>Adrian \u00c7ene<\/b> nisi t\u00eb pikturonte q\u00eb n\u00eb mosh\u00ebn dhjet\u00eb vje\u00e7. N\u00eb 1991 ai kaloi ver\u00ebn n\u00eb Itali, ku talenti i tij t\u00ebrhoqi v\u00ebmendjen e koleksionist\u00ebve evropian\u00eb. Duke u kthyer n\u00eb Shqip\u00ebri, \u00c7ene i ri vazhdoi programin rigoroz n\u00eb Liceun Artistik p\u00ebr piktur\u00eb dhe p\u00ebrfundoi trajnimin e tij akademik t\u00eb artit figurativ n\u00eb Akademin\u00eb Shqiptare t\u00eb Artit, duke u diplomuar n\u00eb 1992.<\/span><\/p>\n

Shpejt pas k\u00ebsaj, artisti filloi t\u00eb magjeps\u00eb jo vet\u00ebm publikun shqiptar, por shum\u00eb personalitete t\u00eb huaja dhe personelin e ambasad\u00ebs q\u00eb punonin dhe udh\u00ebtonin n\u00eb Shqip\u00ebri. Ai mori pjes\u00eb n\u00eb ekspozita t\u00eb shumta t\u00eb organizuara nga galerit\u00eb private shqiptare si dhe Galeria Shtet\u00ebrore e Artit. Duke u mb\u00ebshtetur n\u00eb k\u00ebto arritje, \u00c7ene mori pjes\u00eb n\u00eb ekspozitat e artit bashk\u00ebkohor shqiptar. Pikturat e tij u shit\u00ebn n\u00eb Itali, Belgjik\u00eb, Franc\u00eb, Gjermani, SHBA, Spanj\u00eb, Angli, Grece, Zvic\u00ebr dhe Australi.<\/span><\/p>\n

Adrian \u00c7ene \u00ebsht\u00eb nj\u00eb piktor shqiptar bashk\u00ebkohor emocionues. Ai e godet publikun me nj\u00eb stil komandues shum\u00eb personal duke p\u00ebrdorur forma t\u00eb theksuara, ekspresive dhe paleta ngjyrash. Duke mbetur n\u00eb t\u00eb nj\u00ebjt\u00ebn koh\u00eb optimist, \u00c7ene pikturon sikur d\u00ebshiron t’i jap\u00eb zgjidhje tranzicionit shum\u00eb t\u00eb v\u00ebshtir\u00eb dhe agresiv shqiptar pas r\u00ebnies s\u00eb komunizmit. Arti i tij ka nj\u00eb efekt t\u00eb menj\u00ebhersh\u00ebm n\u00eb arritjen e suksesit dhe bind\u00ebs n\u00eb dh\u00ebnien e mesazhit pozitiv, pa e humbur kurr\u00eb qasjen e tij t\u00eb fuqishme.<\/span>[\/vc_column_text][\/vc_column][vc_column width=”1\/4″][vc_column_text][Sassy_Social_Share][\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content”][vc_column][vc_text_separator title=”Foto” i_icon_fontawesome=”fa fa-arrow-right” i_color=”black” i_size=”sm” title_align=”separator_align_left” add_icon=”true”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content”][vc_column][vc_gallery type=”image_grid” images=”6746,6747,6748,6749,6750,6751,6752,6753,6754,6755,6756,6757,6758,6759,6760,6761,6762,6763,6764,6765,6766,6767,6768,6769,6770″ img_size=”500x400px”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content”][vc_column][vc_text_separator title=”Video” i_icon_fontawesome=”fa fa-arrow-right” i_color=”black” i_size=”sm” title_align=”separator_align_left” add_icon=”true”][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=”6716″ img_size=”full” onclick=”custom_link” link=”https:\/\/youtu.be\/3sgB5Fd8AkI”][\/vc_column][\/vc_row][vc_row][vc_column][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"

[vc_row full_width=”stretch_row_content”][vc_column][vc_text_separator title=”Ekspozit\u00eb” i_icon_fontawesome=”fa fa-arrow-right” i_color=”black” i_size=”sm” title_align=”separator_align_left” add_icon=”true”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content”][vc_column width=”1\/4″][\/vc_column][vc_column width=”1\/2″][vc_single_image image=”6701″ img_size=”full”][vc_column_text] KILLING TIME Adrian \u00c7ene [\/vc_column_text][vc_column_text] \u201cRri hapur n\u00eb nj\u00eb shoq\u00ebri t\u00eb mbyllur dhe zgjo instinktin t\u00ebnd. L\u00ebre k\u00ebt\u00eb instinkt t\u00eb v\u00ebrshoj\u00eb e kupto si ndizet gjaku<\/p>\n","protected":false},"author":5,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-6706","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/pages\/6706","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/cod.al\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6706"}],"version-history":[{"count":13,"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/pages\/6706\/revisions"}],"predecessor-version":[{"id":6771,"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/pages\/6706\/revisions\/6771"}],"wp:attachment":[{"href":"https:\/\/cod.al\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6706"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}