[vc_row full_width=”stretch_row_content”][vc_column][vc_text_separator title=”Ekspozit\u00eb” i_icon_fontawesome=”fa fa-arrow-right” i_color=”black” i_size=”sm” title_align=”separator_align_left” add_icon=”true”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content”][vc_column width=”1\/4″][\/vc_column][vc_column width=”1\/2″][vc_single_image image=”6638″ img_size=”full”][vc_column_text]<\/p>\n
[\/vc_column_text][vc_column_text]\u00cbsht\u00eb gjithmon\u00eb e m\u00eb e v\u00ebshtir\u00eb t\u00eb p\u00ebrcaktohen kufijt\u00eb e dizajnit. Kuptime t\u00eb reja dhe shum\u00eb t\u00eb ndryshme e kan\u00eb p\u00ebrvet\u00ebsuar termin: sot flasim p\u00ebr dizajnin interaktiv, dizajnin grafik, dizajnin e faqeve web, dizajnin vizual, at\u00eb t\u00eb ushqimit dhe k\u00ebshtu lista vazhdon. P\u00ebrkufizimi i dh\u00ebn\u00eb nga Treccani na kthen n\u00eb nj\u00eb far\u00eb m\u00ebnyre jo vet\u00ebm n\u00eb fillimet e historis\u00eb s\u00eb lavdishme – t\u00eb mbi nj\u00eb shekulli – t\u00eb produkteve italiane, por gjithashtu na kujton thelbin dhe ve\u00e7orit\u00eb e tij: dizajni italian lind n\u00eb l\u00ebvizje, eksperimental dhe avangard\u00eb, i jasht\u00ebzakonsh\u00ebm n\u00eb thjesht\u00ebsin\u00eb e tij, por edhe i arritsh\u00ebm dhe i matur, karakteristika k\u00ebto q\u00eb i b\u00ebjn\u00eb produktet e tij t\u00eb njihen menj\u00ebher\u00eb dhe t\u00eb mbeten t\u00eb p\u00ebrjetshme. Projektuesit e rinj italian\u00eb t\u00eb cil\u00ebt po ekspozojn\u00eb n\u00eb Tiran\u00eb n\u00eb Sall\u00ebn \u201cTako Artistin\u201d n\u00eb COD \u2013 asnj\u00eb hap\u00ebsir\u00eb m\u00eb e mir\u00eb do t\u00eb kishte mundur t\u2019i mir\u00ebpriste – edhe pse n\u00eb bashk\u00ebkoh\u00ebsin\u00eb dhe origjinalitetin e tyre, d\u00ebshmojn\u00eb vazhdim\u00ebsin\u00eb q\u00eb e b\u00ebn dizajnin italian t\u00eb famsh\u00ebm n\u00eb t\u00eb gjith\u00eb bot\u00ebn.<\/span><\/p>\n Dizajni italian, q\u00eb nga periudha e pasluft\u00ebs, ka p\u00ebrjetuar nj\u00eb dualiz\u00ebm endemik, t\u00eb ndar\u00eb vazhdimisht mes punimeve artizanale dhe industris\u00eb, mes standardizimit dhe gjenialitetit individual, duke kaluar nga nj\u00eb rrym\u00eb mendimi tek tjetra. Nga racionalizmi i Good Design (dizajni i mir\u00eb), i cili nxjerr n\u00eb pah marr\u00ebdh\u00ebnien midis form\u00ebs dhe funksionit, duke favorizuar gjeometrit\u00eb elementare, \u00ebsht\u00eb kaluar tek dizajni “integral” i Achille dhe Pier Giacomo Castiglioni, i aft\u00eb t\u00eb p\u00ebrfshij\u00eb n\u00eb projekt form\u00ebn, materialin dhe teknik\u00ebn, tek pika e kthes\u00ebs \u201corganike\u201d t\u00eb Marco Zanuso, i cili pararend stilin high-tech, e deri tek Radical design, i quajtur ndryshe edhe contro-design, “kontestim i s\u00eb tashmes” ku ironia b\u00ebhet elementi mbizot\u00ebrues. P\u00ebr t\u00eb arritur m\u00eb pas tek Neomodern, nj\u00eb imazh rinovimi, nj\u00eb dizajn me gjuh\u00eb simbolike dhe g\u00ebzim cinik. Sot nj\u00eb brez talentesh me shije t\u00eb holl\u00eb, kurioz\u00eb, pa dogma, t\u00eb aft\u00eb p\u00ebr t\u2019u marr\u00eb me tradit\u00ebn dhe “mjeshtrat e m\u00ebdhenj” t\u00eb s\u00eb kaluar\u00ebs, po i japin jet\u00eb nj\u00eb sezoni t\u00eb ri t\u00eb dizajnit italian, me krijime me nj\u00eb ndikim t\u00eb fort\u00eb ndjell\u00ebs q\u00eb puqen me artin.\u00a0<\/span><\/p>\n Detajet, materialet, format, liria krijuese dhe qasja emocionale ballafaqohen me t\u00eb tashmen: braktiset k\u00ebshtu ideja e nj\u00eb modeli t\u00eb standardizuar dhe fokusi p\u00ebrq\u00ebndrohet tek origjinaliteti i objektit. Prej k\u00ebtu thjesht\u00ebsia e form\u00ebs dhe estetika minimaliste e <\/span>Federica Biasi<\/b>; dizajni utopik i <\/span>Matteo Cibic<\/b> mes dizajnit, artit dhe mjesht\u00ebris\u00eb s\u00eb lart\u00eb artizanale; humanizmi i <\/span>Antonio Facco<\/b> q\u00eb shkon nga arkitektura e brendshme tek objekti; harmonia e formave dhe stili poetik i <\/span>Elena Salmistraro<\/b>, nj\u00eb p\u00ebrzierje e ilustrimit, dizajnit dhe arteve pamore; eksperimentimi dhe analiza e thelluar mbi materjen e dyshes krijuese <\/span>Tipstudio<\/b>, q\u00eb shnd\u00ebrron \u00e7do ide n\u00eb nj\u00eb produkt narrativ dhe simbolik; format arketipike dhe gjuha shpreh\u00ebse e <\/span>Ilaria Bianchi<\/b>, drejt nj\u00eb dizajni stampimi m\u00eb kritik dhe konceptual; sip\u00ebrfaqet grafike t\u00eb <\/span>Serena Confalonieri<\/b>, t\u00eb cilat n\u00eb kontrast midis form\u00ebs dhe ngjyr\u00ebs, b\u00ebjn\u00eb t\u00eb spikas\u00eb leht\u00ebsia e objekteve.\u00a0<\/span><\/p>\n Pasion, tradit\u00eb, inovacion dhe mbi t\u00eb gjitha lavd ngadal\u00ebsis\u00eb, punimit handmade, cil\u00ebsis\u00eb mbi sasin\u00eb, k\u00ebto tipare p\u00ebrvijojn\u00eb \u201cMade in Italy\u201d t\u00eb sot\u00ebm, si nj\u00eb burim i domosdosh\u00ebm i ekonomis\u00eb italiane.<\/span>[\/vc_column_text][\/vc_column][vc_column width=”1\/4″][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content”][vc_column][vc_text_separator title=”Foto” i_icon_fontawesome=”fa fa-arrow-right” i_color=”black” i_size=”sm” title_align=”separator_align_left” add_icon=”true”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content”][vc_column][vc_gallery type=”image_grid” images=”6664,6665,6666,6668,6669,6670,6671,6672,6673,6674,6675,6676,6677,6678,6679,6680,6681,6682,6683,6684,6685,6686,6687,6688,6689,6690,6691,6692,6693,6694,6695,6696,6697″ img_size=”500x400px”][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":" [vc_row full_width=”stretch_row_content”][vc_column][vc_text_separator title=”Ekspozit\u00eb” i_icon_fontawesome=”fa fa-arrow-right” i_color=”black” i_size=”sm” title_align=”separator_align_left” add_icon=”true”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content”][vc_column width=”1\/4″][\/vc_column][vc_column width=”1\/2″][vc_single_image image=”6638″ img_size=”full”][vc_column_text] IL NUOVO DESIGN ITALIANO \/ DIZAJNI I RI ITALIAN Ilaria Bianchi, Federica Biasi,\u00a0Matteo Cibic,\u00a0Serena Confalonieri,\u00a0Elena Salmistraro,\u00a0\u00a0Tipstudio. [\/vc_column_text][vc_column_text]\u00cbsht\u00eb gjithmon\u00eb e m\u00eb e v\u00ebshtir\u00eb t\u00eb p\u00ebrcaktohen kufijt\u00eb e<\/p>\n","protected":false},"author":5,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-6647","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/pages\/6647","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/cod.al\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6647"}],"version-history":[{"count":18,"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/pages\/6647\/revisions"}],"predecessor-version":[{"id":6699,"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/pages\/6647\/revisions\/6699"}],"wp:attachment":[{"href":"https:\/\/cod.al\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6647"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}