{"id":3655,"date":"2018-04-11T12:09:13","date_gmt":"2018-04-11T11:09:13","guid":{"rendered":"http:\/\/cod.al\/?page_id=3655"},"modified":"2018-04-11T12:25:00","modified_gmt":"2018-04-11T11:25:00","slug":"ornela-vorpsi-forum","status":"publish","type":"page","link":"https:\/\/cod.al\/?page_id=3655","title":{"rendered":"Ornela Vorpsi | Forum"},"content":{"rendered":"

[vc_row][vc_column width=”1\/2″][vc_single_image image=”3656″ img_size=”full” onclick=”custom_link” link=”https:\/\/youtu.be\/Vqn9aSGll9w”][\/vc_column][vc_column width=”1\/2″][vc_column_text]<\/p>\n


\nKURR\u00cb M\u00cb<\/i><\/b>, 2018
\nVideo HD, 3 minuta, 3 sekonda, me ngjyra<\/h5>\n

Kjo video rreth 3 minuta e gjat\u00eb rr\u00ebfen nj\u00eb \u00ebnd\u00ebrr t\u00eb artistes, duke p\u00ebrdorur figurativen subjektive, \u2018normale\u2019 p\u00ebr nj\u00eb realitet oneirik.\u00a0Nevermore (Kurr\u00eb m\u00eb)<\/i><\/b>\u00a0\u00ebsht\u00eb fjala-refren q\u00eb thot\u00eb Korbi n\u00eb poem\u00ebn gotike t\u00eb Edgar Alan Pos\u00eb me t\u00eb nj\u00ebjtin titull, q\u00eb n\u00eb shqip \u00ebsht\u00eb p\u00ebrkthyer n\u00eb m\u00ebnyr\u00eb mjesht\u00ebrore nga F. S. Noli, n\u00eb fillim t\u00eb shekullit XX.<\/p>\n

Nevermore (Kurr\u00eb m\u00eb)<\/i><\/b>\u00a0tregon p\u00ebr pamund\u00ebsin\u00eb e kthimit; \u00ebsht\u00eb ngr\u00ebnia e realitetit nga p\u00ebrparimi i koh\u00ebs dhe afrimi i vdekjes. Ose m\u00eb thjesht, \u00ebsht\u00eb pamund\u00ebsia e kthimit mbrapsht, qoft\u00eb edhe p\u00ebr nj\u00eb sekond\u00eb, e asaj q\u00eb ik\u00ebn e s\u2019vjen m\u00eb. Kolona vertebrore e videos s\u00eb Vorpsit mbetet disonanca logjike, \u201cd\u00e9cousu\u201d n\u00eb fr\u00ebngjisht, duke e b\u00ebr\u00eb vepr\u00ebn t\u00eb v\u00ebshtir\u00eb t\u00eb p\u00ebrkthehet me logjik\u00ebn e p\u00ebrditshm\u00ebris\u00eb. Inserti i pakuptuesh\u00ebm n\u00eb mes t\u00eb videos thekson elementin \u00ebnd\u00ebrrimtar; po ashtu veprojn\u00eb edhe filtrat e q\u00ebllimsh\u00ebm me efekte t\u00eb pelikul\u00ebs t\u00eb vjet\u00ebr filmike. Nd\u00ebrkoh\u00eb, paralelisht, r\u00ebnd\u00ebsia q\u00eb i jep artistja aktit t\u00eb shkuljes s\u00eb zemr\u00ebs p\u00ebrkthen me frym\u00eb elegjiake bashk\u00ebkohore nj\u00eb proverb shqiptar mbi bujarin\u00eb:\u00a0\u201cBuk\u00eb, krip\u00eb\u00a0e zem\u00ebr p\u00ebr mikun\u201d. <\/i>Ky akt final \u2013 q\u00eb realisht tregon tranzicionin nga nj\u00ebra bot\u00eb te tjetra \u2013 flet qart\u00eb se artistja ofron gjith- \u00e7ka ka p\u00ebr at\u00eb q\u00eb i hyn n\u00eb zem\u00ebr, duke tejkaluar t\u00eb gjitha llojet e dyshimeve t\u00eb \u2018paarsyeshme\u2019 q\u00eb nj\u00eb njeri bashk\u00ebkohor \u2018racional\u2019 mund t\u00eb ket\u00eb.<\/p>\n

Vepra e Vorpsit, q\u00eb lundron n\u00eb nj\u00eb shtrat psikologjik-ekzistencial, mund t\u00eb lexo-<\/p>\n

het n\u00eb plan personal si nj\u00eb asosiacion i lir\u00eb mbi pamund\u00ebsin\u00eb e kontrollit t\u00eb raporteve njer\u00ebzore dhe v\u00ebshtir\u00ebsis\u00eb s\u00eb interpretimit t\u00eb historive personale, surreale p\u00ebr tjetrin.<\/p>\n

P\u00ebr nga intensiteti, vetmia dhe lakonizmi, kjo vep\u00ebr e Vorpsit t\u00eb sjell nd\u00ebr mend obsesionin e ngjash\u00ebm mes nj\u00eb artisti dhe muz\u00ebs s\u00eb tij n\u00eb romanin klasik ekzistencial \u2018Tuneli\u2019<\/i> (1948) t\u00eb shkrimtarit argjentinas Ernesto Sabato, apo filmin klasik gotik neo-noir<\/i> t\u00eb David Lynch \u2018Eraserhead\u2019 <\/i>(1977).[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column width=”1\/2″][vc_single_image image=”3656″ img_size=”full” onclick=”custom_link” link=”https:\/\/youtu.be\/Vqn9aSGll9w”][\/vc_column][vc_column width=”1\/2″][vc_column_text] KURR\u00cb M\u00cb, 2018 Video HD, 3 minuta, 3 sekonda, me ngjyra Kjo video rreth 3 minuta e gjat\u00eb rr\u00ebfen nj\u00eb \u00ebnd\u00ebrr t\u00eb artistes, duke p\u00ebrdorur figurativen subjektive, \u2018normale\u2019 p\u00ebr nj\u00eb realitet oneirik.\u00a0Nevermore (Kurr\u00eb<\/p>\n","protected":false},"author":5,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-3655","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/pages\/3655","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/cod.al\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3655"}],"version-history":[{"count":6,"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/pages\/3655\/revisions"}],"predecessor-version":[{"id":3670,"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/pages\/3655\/revisions\/3670"}],"wp:attachment":[{"href":"https:\/\/cod.al\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3655"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}