[vc_row][vc_column][vc_single_image image=”3466″ img_size=”full”][vc_column_text]\u201cKe gjith\u00eb k\u00ebt\u00eb bukuri, por je bosh. Askush nuk vdes p\u00ebr ty.\u201d
\nPrinci i Vog\u00ebl
\nAntoine de Saint-Exup\u00e9ry<\/p>\n
Mia Enell<\/strong> \u00ebsht\u00eb nj\u00eb artiste e shum\u00eb kontureve dhe personazheve. Pikturat e saj, por sidomos vizatimet e saj, t\u00eb vogla dhe intime, n\u00eb dukje t\u00eb pafajshme, por thell\u00ebsisht psikologjike, t\u00eb nd\u00ebrlikuara dhe misterioze, t\u00eb vizatuara thjesht me laps dhe me boj\u00ebra uji, portretizojn\u00eb skica njer\u00ebzore, ngjarje shpirt\u00ebrore dhe forma t\u00eb \u00e7uditshme jet\u00ebsore. Puna e saj ofron nj\u00eb rebus pamor, q\u00eb na b\u00ebn kurioz\u00eb dhe na ngacmon me nj\u00eb thjesht\u00ebsi simbolike q\u00eb nuk duhet t\u00eb merret ashtu si ta sheh syri. Genti Gjikola<\/strong> [vc_row][vc_column][vc_single_image image=”3466″ img_size=”full”][vc_column_text]\u201cKe gjith\u00eb k\u00ebt\u00eb bukuri, por je bosh. Askush nuk vdes p\u00ebr ty.\u201d Princi i Vog\u00ebl Antoine de Saint-Exup\u00e9ry Mia Enell \u00ebsht\u00eb nj\u00eb artiste e shum\u00eb kontureve dhe personazheve. Pikturat e saj, por sidomos vizatimet e saj, t\u00eb vogla<\/p>\n","protected":false},"author":5,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-3463","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/pages\/3463","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/cod.al\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3463"}],"version-history":[{"count":4,"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/pages\/3463\/revisions"}],"predecessor-version":[{"id":3501,"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/pages\/3463\/revisions\/3501"}],"wp:attachment":[{"href":"https:\/\/cod.al\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3463"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nMia Enell punon e frym\u00ebzuar drejtp\u00ebrs\u00ebdrejti nga \u00ebndrrat. E pajisur me dhunti t\u00eb rafinuara t\u00eb v\u00ebzhgimit dhe shprehjes, imazhet dhe skenat surreale q\u00eb krijohen n\u00eb skutat m\u00eb t\u00eb thella t\u00eb t\u00eb pand\u00ebrgjegjshmes s\u00eb saj dalin n\u00eb drit\u00eb, mbi let\u00ebr ose mbi kanavac\u00eb, mot-\u00e0-mot. \u00c7do vep\u00ebr e Enell ofron nj\u00eb trajektore personale q\u00eb g\u00ebrsheton bot\u00ebn e \u00ebndrrave, realitetit dhe fantazis\u00eb, me sferat e artit, estetik\u00ebs, metafizik\u00ebs dhe subjektivitetit. Motivi i saj i p\u00ebrs\u00ebritur duket t\u00eb jet\u00eb shkurtimi dhe mjegullimi i distanc\u00ebs midis asaj q\u00eb ne e quajm\u00eb pjell\u00eb e fantazis\u00eb dhe asaj q\u00eb kuptojm\u00eb si t\u00eb v\u00ebrtet\u00eb, reale. Meandret e saj t\u00eb nd\u00ebrlikuara piktorike q\u00eb cekin gjuh\u00ebsoren dhe simboliken, s\u00eb bashku me metod\u00ebn e saj t\u00eb personalizuar t\u00eb portretizimit dhe kapjes s\u00eb alienizimit t\u00eb shoq\u00ebris\u00eb bashk\u00ebkohore, koagulohen n\u00eb nj\u00eb k\u00ebndv\u00ebshtrim t\u00eb ve\u00e7ant\u00eb artistik. Asociime delikate t\u00eb imazheve sjellin n\u00eb fokus aktivitetin ngulmues t\u00eb oneirikes, n\u00eb p\u00ebrpjekje p\u00ebr t\u2019u transformuar n\u00eb di\u00e7ka fizike dhe t\u00eb prekshme. N\u00eb pun\u00ebt e saj ekziston nj\u00eb qart\u00ebsi lineare e vizionit personal, nj\u00eb k\u00ebmb\u00ebngulje kok\u00ebfort\u00eb p\u00ebr ta transmetuar subjektin t\u00eb pandryshuar dhe t\u00eb detajuar n\u00eb t\u00eb gjitha holl\u00ebsit\u00eb, tonet dhe nuancat e tij.
\nAshtu si n\u00eb jet\u00ebn e v\u00ebrtet\u00eb, figurat e vetmuara t\u00eb Mia Enell jan\u00eb t\u00eb rrethuara nga hap\u00ebsira boshe, n\u00eb pritje p\u00ebr t\u2019u mbushur, n\u00eb k\u00ebrkim p\u00ebr t\u00eb marr\u00eb kuptim. N\u00eb ve\u00e7anti, piktura WiFi e vitit 2016 p\u00ebrshkruan gjall\u00ebrisht se si vibracionet e teknologjis\u00eb, me “ret\u00eb” e tyre t\u00eb padukshme gjithnj\u00eb e m\u00eb t\u00eb hijshme, e mpijn\u00eb ndjenj\u00ebn ton\u00eb t\u00eb qenies me nj\u00eb rrjedh\u00eb t\u00eb pafundme informacioni t\u00eb pakuptimt\u00eb, t\u00eb panevojsh\u00ebm.
\nSubjektet e saj, shpesh prototipa n\u00eb mesomosh\u00eb, t\u00eb kapur n\u00eb kurthet tin\u00ebzare t\u00eb jet\u00ebs e t\u00eb turbulluar n\u00eb shpirt nga paaft\u00ebsia p\u00ebr t\u00eb kuptuar dhe p\u00ebrballur kalimin e koh\u00ebs, nisen t\u00eb eksplorojn\u00eb pyetje themelore rreth rolit t\u00eb tyre individual n\u00eb shoq\u00ebrit\u00eb e bot\u00ebs s\u00eb par\u00eb. Nga veprat e saj, k\u00ebta njer\u00ebz na v\u00ebshtrojn\u00eb n\u00eb sy, t\u00eb kapur n\u00eb nj\u00eb ankth metafizik, ndonj\u00ebher\u00eb t\u00eb trembur, e shpesh t\u00eb hutuar dhe t\u00eb pasigurt p\u00ebr vendin e tyre n\u00eb bot\u00eb. Pothuajse n\u00eb t\u00eb gjitha veprat q\u00eb shihen n\u00eb k\u00ebt\u00eb ekspozit\u00eb, duket se ka shpres\u00eb se me an\u00eb t\u00eb nj\u00eb p\u00ebrpjekjeje t\u00eb ve\u00e7ant\u00eb, nj\u00eb “nd\u00ebrrimi t\u00eb l\u00ebkur\u00ebs”, nj\u00eb propozimi me “ide t\u00eb mira”, ardhjes s\u00eb nj\u00eb zarfi misterioz, nj\u00eb udh\u00ebtimi n\u00eb vende t\u00eb larg\u00ebta ku qielli \u00ebsht\u00eb i kuq dhe val\u00ebt e detit jan\u00eb t\u00eb zeza si bitum, me ombrell\u00eb n\u00eb dor\u00eb, njeriu bashk\u00ebkohor do t\u00eb gjej\u00eb shp\u00ebtim. Ose, edhe n\u00ebse nuk gjen shp\u00ebtim, t\u00eb pakt\u00ebn ka shpres\u00eb se identiteti individual dhe kontakti i vazhduesh\u00ebm emocional nuk do t\u2019i mohohet, se gjithsesi, ai nuk do t\u00eb jet\u00eb “i paduksh\u00ebm”. \u00cbsht\u00eb e paqart\u00eb nga veprat k\u00ebtu n\u00ebse ndonj\u00ebra nga krijesat e saj arrin ta zbuloj\u00eb ndonj\u00ebher\u00eb k\u00ebt\u00eb Arkadi personale.
\nN\u00eb skicat dhe vizatimet e saj f\u00ebminore duket se Enell pajtohet me p\u00ebrkufizimin themelor t\u00eb Frojdit, se shqet\u00ebsimet e pacientit jan\u00eb t\u00eb rr\u00ebnjosura n\u00eb nj\u00eb anomali t\u00eb p\u00ebrgjithshme, n\u00eb nj\u00eb s\u00ebmundje q\u00eb nuk mund t\u00eb sh\u00ebrohet dot nga terapia psikanalitike. Personazhet e saj s\u2019mund t\u00eb nd\u00ebrmarrin analiz\u00ebn e vendit t\u00eb tyre n\u00eb nj\u00eb bot\u00eb q\u00eb tashm\u00eb nuk \u00ebsht\u00eb m\u00eb misterioze. Si\u00e7 thot\u00eb edhe Sartri te \u201cQenia dhe Asgj\u00ebja\u201d, \u201cautenticiteti dhe individualiteti duhet t\u00eb fitohen\u201d. Q\u00ebllimi i pun\u00ebs s\u00eb Mia Enell \u00ebsht\u00eb t\u00eb harmonizoj\u00eb k\u00ebrkime formale piktorike me pyetje t\u00eb drejtp\u00ebrdrejta filozofike n\u00eb nj\u00eb m\u00ebdyshje me r\u00ebnd\u00ebsi, por dhe destabilizuese: “Pse gj\u00ebrat jan\u00eb k\u00ebshtu si jan\u00eb dhe jo ndryshe?”.<\/p>\n
\nKurator[\/vc_column_text][vc_single_image image=”3467″ img_size=”full”][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"