{"id":3163,"date":"2017-03-20T09:39:21","date_gmt":"2017-03-20T08:39:21","guid":{"rendered":"http:\/\/cod.al\/?page_id=3163"},"modified":"2018-09-12T11:34:03","modified_gmt":"2018-09-12T10:34:03","slug":"vigan-nimani","status":"publish","type":"page","link":"https:\/\/cod.al\/?page_id=3163","title":{"rendered":"Vigan Nimani"},"content":{"rendered":"<p>[vc_row][vc_column][vc_single_image image=&#8221;2596&#8243; img_size=&#8221;full&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<strong>Vigan Nimani<\/strong> was born in Pristina. The art works selected for this exhibition are part of a series of paintings started in 2015, intitled &#8220;Properties of the undeveloped&#8221;, for which he continues to work. The subjects of his paintings are mainly inspired from the propaganda images of former Yugoslavia, reflecting hotels and other tourist buildings as a single body of modern architecture and modernist aesthetics of the second half of the twentieth century.<\/p>\n<p>The artistic innovation he brings, comes through the fragmentation of these images, turning them back in time for the similarity in De Chirico&#8217;s art in the Renaissance architecture era: to create the impression of a metaphysical infinity of shapes and sizes.[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_single_image image=&#8221;2596&#8243; img_size=&#8221;full&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]Vigan Nimani was born in Pristina. The art works selected for this exhibition are part of a series of paintings started in 2015, intitled &#8220;Properties of the undeveloped&#8221;, for which he continues to work. The subjects of his<\/p>\n","protected":false},"author":5,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-3163","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/pages\/3163","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/cod.al\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3163"}],"version-history":[{"count":3,"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/pages\/3163\/revisions"}],"predecessor-version":[{"id":4830,"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/pages\/3163\/revisions\/4830"}],"wp:attachment":[{"href":"https:\/\/cod.al\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3163"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}