[vc_row][vc_column][vc_single_image image=”3095″ img_size=”full”][\/vc_column][\/vc_row][vc_row][vc_column css=”.vc_custom_1481812272197{margin-top: -60px !important;}”][vc_column_text]”\u00cbsht\u00eb shum\u00eb m\u00eb mir\u00eb kur gjuha i ndan fjal\u00ebt: histori dhe rr\u00ebfim…\u201d mendon Ga\u00eblle Cogn\u00e9e, teksa planifikon performanc\u00ebn pamore t\u00eb radh\u00ebs n\u00eb Tiran\u00eb. Parap\u00eblqen ta arsyetoj\u00eb ndarjen linguistike t\u00eb dy kuptimeve, p\u00ebr t\u00eb na shpjeguar m\u00ebnyr\u00ebn t\u00eb nd\u00ebrthurjes s\u00eb tyre, duke na drejtuar leht\u00ebsisht n\u00eb keqkuptimin e t\u00eb dyjave. \u00c7far\u00eb i mbetet spektatorit nga puna e Cogn\u00e9e, qoft\u00eb film, instalacion apo performanc\u00eb, \u00ebsht\u00eb nj\u00eb mister q\u00eb zgjat n\u00eb koh\u00eb, pa qen\u00eb n\u00eb gjendje ta dallojm\u00eb vetveten dhe kujtes\u00ebn ton\u00eb, t\u00eb shkuar\u00ebn ton\u00eb, p\u00ebr sa koh\u00eb jemi zhytur n\u00eb mjegull\u00ebn e sekuencave jolineare, t\u00eb krijuar nga imazhet e saj t\u00eb sakta dhe elokuente, perceptimet e rr\u00ebfimet.<\/p>\n
P\u00ebr COD Artist Talks, Ga\u00eblle COGN\u00c9E do t\u00eb rr\u00ebfej\u00eb nj\u00eb histori t\u00eb v\u00ebrtet\u00eb, duke zbuluar pengesat e buta t\u00eb kalueshme dhe hartat e nd\u00ebrlikuara t\u00eb ndodhive e marr\u00ebdh\u00ebnieve\u2026 Historia zuri fill diku n\u00eb Tiran\u00eb n\u00eb vitin 2015 dhe p\u00ebrfundon aty ku nisi, 364 dit\u00eb m\u00eb von\u00eb.<\/p>\n
PUN\u00cbT E PARAQITURA<\/strong><\/p>\n Salla Digjitale<\/span><\/strong><\/p>\n – A Concrete Hotel <\/em>(2015)<\/p>\n Video e arkivuar nga nj\u00eb leksion i dh\u00ebn\u00eb n\u00eb COD, dhjetor 2015, 26\u2019<\/p>\n Zhvendosja e leksionit Hotel Palenque<\/em>, i ligj\u00ebruar nga artisti amerikan Robert Smithson n\u00eb vitin 1972, n\u00eb kontekstin e Tiran\u00ebs, fjalimi shpjegues dhe imazhet e projektuara gradualisht i japin form\u00eb nj\u00eb hap\u00ebsire misterioze. \u00cbsht\u00eb nj\u00eb vend p\u00ebr t\u00eb cilin mund t\u00eb keni d\u00ebgjuar, nj\u00eb vend i prirur p\u00ebr ta humbur fokusin e tij, nj\u00eb vend me nj\u00eb arkitektur\u00eb mendimesh, si i trullosur nga pritja.<\/p>\n Forumi<\/strong><\/p>\n Blind Alleys as Ocular Ex Voto <\/em>(2016)<\/p>\n HD Video, 15\u2019<\/p>\n N\u00eb labirintin e pandjesh\u00ebm t\u00eb nj\u00eb muzeu historik, i cili duket se e ka humbur kronologjin\u00eb e vet, paranoja rritet nga kontradikta e pakalueshme: nj\u00eb e tashme n\u00eb l\u00ebvizje duhet t\u00eb mbaj\u00eb t\u00eb ngrir\u00eb nj\u00eb t\u00eb shkuar q\u00eb k\u00ebrkon arratisjen. Por e path\u00ebna \u2013 nj\u00eb breshk\u00eb, si heshtje prehistorike, merr thuasje rolin e nj\u00eb objekti muzeal, duke e \u00e7montuar rr\u00ebfimin historik dhe filmik.<\/p>\n BIO<\/strong><\/p>\n Ga\u00eblle Cogn\u00e9e (Franc\u00eb, 1988) u diplomua n\u00eb Universitetin e Arteve t\u00eb Bukura n\u00eb Lion, m\u00eb pas n\u00eb Universitetin e Arteve Emily Carr n\u00eb Vankuver dhe n\u00eb vitin 2013, p\u00ebrfundoi studimet n\u00eb Universitetin e Arteve n\u00eb Paris-Cergy. Gjat\u00eb studimeve nisi projektin kolektiv Plafond, <\/em>i cili kishte si q\u00ebllim ekspozimin jasht\u00eb kubit t\u00eb bardh\u00eb t\u00eb zakonsh\u00ebm, p\u00ebrmes nj\u00eb qasjeje specifike n\u00eb secil\u00ebn faqe. Plafondi<\/em> tashm\u00eb p\u00ebrb\u00ebhet nga gjasht\u00eb artist\u00eb dhe \u00ebsht\u00eb ekspozuar n\u00eb nj\u00eb fabrik\u00eb t\u00eb vjet\u00ebr n\u00eb Botz-en-Mauges (Plafond I dhe II<\/em>), n\u00eb hap\u00ebsir\u00ebn e drejtuar nga artist\u00ebt Der Kanal n\u00eb Berlin (Muskel<\/em>) dhe n\u00eb shkolla t\u00eb ndryshme t\u00eb mesme n\u00eb Paris, Dornes dhe Decize (Les M\u00e9prises<\/em> and Paysage pour un pickpocket)<\/em>.<\/p>\n Gjat\u00eb vitit t\u00eb kaluar, Ga\u00eblle Cogn\u00e9e kaloi kat\u00ebr muaj n\u00eb Tiran\u00eb dhe nj\u00eb muaj n\u00eb Tangier, si an\u00ebtare n\u00eb projekte bashk\u00ebpunuese rezidenciale. Pun\u00ebn e saj do ta shfaq\u00eb n\u00eb hap\u00ebsir\u00ebn artistike, t\u00eb drejtuar nga Pauline Perplexe (Arcueil, Franc\u00eb), n\u00eb mars 2017.[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":" [vc_row][vc_column][vc_single_image image=”3095″ img_size=”full”][\/vc_column][\/vc_row][vc_row][vc_column css=”.vc_custom_1481812272197{margin-top: -60px !important;}”][vc_column_text]”\u00cbsht\u00eb shum\u00eb m\u00eb mir\u00eb kur gjuha i ndan fjal\u00ebt: histori dhe rr\u00ebfim…\u201d mendon Ga\u00eblle Cogn\u00e9e, teksa planifikon performanc\u00ebn pamore t\u00eb radh\u00ebs n\u00eb Tiran\u00eb. Parap\u00eblqen ta arsyetoj\u00eb ndarjen linguistike t\u00eb dy kuptimeve, p\u00ebr t\u00eb na shpjeguar<\/p>\n","protected":false},"author":5,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-3094","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/pages\/3094","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/cod.al\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3094"}],"version-history":[{"count":8,"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/pages\/3094\/revisions"}],"predecessor-version":[{"id":3103,"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/pages\/3094\/revisions\/3103"}],"wp:attachment":[{"href":"https:\/\/cod.al\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3094"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}