{"id":2634,"date":"2016-11-03T17:35:49","date_gmt":"2016-11-03T16:35:49","guid":{"rendered":"http:\/\/cod.al\/?page_id=2634"},"modified":"2018-09-12T11:33:00","modified_gmt":"2018-09-12T10:33:00","slug":"peter-kogler","status":"publish","type":"page","link":"https:\/\/cod.al\/?page_id=2634","title":{"rendered":"Peter Kogler"},"content":{"rendered":"<p>[vc_row][vc_column width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;2643&#8243; img_size=&#8221;full&#8221;][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<p><strong>Peter Kogler<br \/>\n<\/strong><\/p>\n<p>He was born in Innsbruck, Austria in 1959 and works as a multimedial artist (multidimensional). In a conversation with Kathrin Rhomberg in 2014, he claims:<\/p>\n<p>&#8220;I have always been interested in knowing how to transform my visual or artistic art through technological developments so it could be carried differently. This is something I focus on constantly, which means that I often have to go back at my works. It is likely that this is why I have decided to work with an incredibly reduced visual vocabulary. I would be too formal in my artistic approach if I were to limit myself to recreating and redesigning my art. Repetition is one of my favorites methods. Similarly as it happens in a course of experiments, I try and test different variations of the same motif, to see what is really going to fit, where and how to find the best approach. This is a reflection of the reality of my work processes, especially when using the technical path.<\/p>\n<p>A subjective work or issue that relate to the ego come up in the second plan by repetition and this seems to me very interesting. This makes matters more factual and open. If there is not simply a version, but 10 or 50 different alternatives of a motif or variant, then everything related to expression becomes relative.<\/p>\n<p>Nj\u00eb vep\u00ebr subjektive apo \u00e7\u00ebshtje t\u00eb cilat kan\u00eb t\u00eb b\u00ebjn\u00eb me unin dalin n\u00eb plan t\u00eb dyt\u00eb nga p\u00ebrs\u00ebritja dhe kjo m\u00eb duket shum\u00eb interesante. Kjo i b\u00ebn gj\u00ebrat faktike dhe m\u00eb t\u00eb hapura. N\u00ebse nuk ka thjesht nj\u00eb version, por 10 apo 50 variante t\u00eb ndryshme t\u00eb nj\u00eb motivi apo varianti, at\u00ebher\u00eb gjith\u00e7ka q\u00eb ka t\u00eb b\u00ebj\u00eb me t\u00eb shprehurit b\u00ebhet relative.[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;2643&#8243; img_size=&#8221;full&#8221;][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_column_text] Peter Kogler He was born in Innsbruck, Austria in 1959 and works as a multimedial artist (multidimensional). In a conversation with Kathrin Rhomberg in 2014, he claims: &#8220;I have always been interested in knowing how<\/p>\n","protected":false},"author":5,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2634","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/pages\/2634","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/cod.al\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2634"}],"version-history":[{"count":10,"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/pages\/2634\/revisions"}],"predecessor-version":[{"id":4828,"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/pages\/2634\/revisions\/4828"}],"wp:attachment":[{"href":"https:\/\/cod.al\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2634"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}