{"id":2600,"date":"2016-10-17T08:59:26","date_gmt":"2016-10-17T07:59:26","guid":{"rendered":"http:\/\/cod.al\/?page_id=2600"},"modified":"2016-10-17T08:59:26","modified_gmt":"2016-10-17T07:59:26","slug":"marko-stamenkovic","status":"publish","type":"page","link":"https:\/\/cod.al\/?page_id=2600","title":{"rendered":"MARKO STAMENKOVIC"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]\"MARCO-KOVER\"[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]Marko Stamenkovic (1977) \u00ebsht\u00eb nj\u00eb historian arti nga jugu i Serbis\u00eb, i cili fokusohet tek\u00a0 racionaliteti politik i krijimit t\u00eb imazhit n\u00eb nj\u00eb kontekst global. Gjat\u00eb dekad\u00ebs s\u00eb fundit, ai ka punuar kryesisht n\u00eb fush\u00ebn e arteve bashk\u00ebkohore si\u00a0 kurator, kritik, shkrimtar dhe pedagog duke u fokusuar n\u00eb nd\u00ebrthurjen e t\u00eb menduarit vizual me teorit\u00eb sociale, filozofin\u00eb politike, dhe praktikave kulturore t\u00eb t\u00eb shtypurve. P\u00ebr t\u00eb, k\u00ebrkimi kuratorial ka potencialin t\u00eb t\u00ebrheq\u00eb aspektet e anashkaluara t\u00eb ekzistenc\u00ebs njer\u00ebzore duke zgjeruar kufijt\u00eb e vet\u00ebdijes son\u00eb p\u00ebr at\u00eb q\u00eb \u00ebsht\u00eb e panjohur, e paprezantuar apo e pad\u00ebgjuar.<\/p>\n

Biseda i tij n\u00eb Qendr\u00ebn p\u00ebr Hapje dhe Dialog\u00a0 do t\u00eb fokusohet n\u00eb nocionet e fuqis\u00eb, gjinis\u00eb mashkullore dhe etnitetit n\u00eb Ballkan. Si pik\u00ebnisje, ai do t\u00eb na prezantoj\u00eb nj\u00eb fotografi bardh e zi me titull “Fustanella” krijuar s\u00eb bashku me projektuesin dhe fotografin Mohammad Ashique (1992, Dhaka, Bangladesh), i cili do t\u2019i bashkohet diskutimit. ‘Fustanella’ n\u00ebnkupton nj\u00eb veshje t\u00eb bardh\u00eb tradicionale p\u00ebr burrat n\u00eb Europ\u00ebn Juglindore. Por si duket sot nj\u00eb i huaj duke ekspozuar veten publikisht me k\u00ebt\u00eb veshje ‘fem\u00ebrore’, n\u00eb form\u00eb fundi, sidomos n\u00ebse ai \u00ebsht\u00eb nj\u00eb serb n\u00eb Shqip\u00ebri?\u00a0<\/strong><\/p>\n

FUSTANELLA<\/strong><\/p>\n

Dit\u00ebt e fundit t\u00eb ver\u00ebs, ose n\u00eb fillim t\u00eb vjesht\u00ebs, diku n\u00eb Ballkan … N\u00eb t\u00eb majt\u00eb, nj\u00eb rrug\u00eb me kalldr\u00ebm q\u00eb ngjitet p\u00ebrmes zinxhirit t\u00eb dyqaneve t\u00eb vogla. N\u00eb t\u00eb djatht\u00eb, nj\u00eb figur\u00eb mashkullore e ulur para nj\u00eb taverne, me nj\u00eb got\u00eb raki n\u00eb tavolin\u00ebn pran\u00eb tij dhe nj\u00eb cigare n\u00eb dor\u00eb. Asgj\u00eb e pazakont\u00eb p\u00ebr nj\u00eb zon\u00eb t\u00eb pazarit t\u00eb stilit osman, asgj\u00eb e pazakont\u00eb p\u00ebr qytetet e ‘Lindjes s\u00eb Mesme’, qytetet e jugut Europian … Pamja e njeriut, me nj\u00eb veshje t\u00eb bardh\u00eb si fund, jo fustan as pallto, por t\u00eb dyja n\u00eb t\u00eb nj\u00ebjt\u00ebn koh\u00eb, i jep nj\u00eb p\u00ebrshtypje t\u00eb \u00e7uditshme, edhe pse: sidomos kur kombinohet me nj\u00eb pal\u00eb \u00e7izme t\u00eb zeza t\u00eb stilit ushtarak, xhinset q\u00eb ka veshur posht\u00eb, dhe nj\u00eb kapele konike t\u00eb bardh\u00eb (qeleshe) mbi kok\u00ebn e tij. N\u00eb poz\u00ebn e tij t\u00eb zhytur n\u00eb mendime, i pastreh\u00eb edhe pse n\u00eb sht\u00ebpi, i qet\u00eb por ende disi i trishtuar, ai \u00ebsht\u00eb nj\u00eb i huaj q\u00eb p\u00ebrfshihet n\u00eb kronikat e nj\u00eb qyteti t\u00eb gurt\u00eb: ku fustanellat e meshkujve ende besohet t\u00eb ken\u00eb fuqin\u00eb magjike q\u00eb ndihmon zhdukjen e ndasive gjinore, po aq sa shpreh nevoj\u00ebn p\u00ebr t\u00eb rikthyer ndarjet nd\u00ebr-etnike \u2013 n\u00eb nj\u00eb k\u00ebndv\u00ebshtrim personal (po aq dhe kolektiv) q\u00eb pajtohet me \u2018Inferiorin Tjet\u00ebr\u2019.<\/p>\n

BIO<\/strong><\/p>\n

Marko Stamenkovic u lind n\u00eb vitin 1977 n\u00eb Vranj\u00eb, Serbi. Ai u diplomua p\u00ebr Histori Arti n\u00eb Universitetin e Beogradit me tez\u00ebn Teoria e Analiz\u00ebs s\u00eb V\u00ebshtrimit dhe Imazhit (2003), mbrojti Masterin p\u00ebr Politikat Kulturore n\u00eb Universitetin e Arteve n\u00eb Beograd me tez\u00ebn e Statusit t\u00eb Praktikave Kuratoriale n\u00eb Kushtet Post- Socialiste (2005). Ai gjithashtu \u00ebsht\u00eb doktoruar n\u00eb Filozofi nga Universiteti i Ghent n\u00eb Belgjik\u00eb me tez\u00ebn e Kulturave Vet\u00ebvras\u00ebse: Teorit\u00eb dhe Praktikat e T\u00ebrheqjes Radikale (2014). N\u00eb fillim t\u00eb viteve 2000, ai ka kuruar projekte dhe ekspozita n\u00eb Serbi dhe jasht\u00eb vendit dhe ka kontribuar n\u00eb botime t\u00eb shumta, duke p\u00ebrfshir\u00eb lexuesit teorik\u00eb, revistat kulturore, libra t\u00eb artist\u00ebve dhe katalog\u00eb ekspozitash. Ai gjithashtu \u00ebsht\u00eb ftuar rregullisht p\u00ebr fjalime publike n\u00eb universitete, akademit\u00eb e arteve dhe hap\u00ebsirat kulturore. Projektet e tij m\u00eb t\u00eb fundit p\u00ebrfshijn\u00eb ekspozit\u00ebn\u00a0 Ki besim tek femrat<\/em> (Galerie Michaela Stock, Vienna) dhe nj\u00eb seri bisedimesh publike P\u00ebrsh\u00ebndetje Nga Ana Tjet\u00ebr<\/em> : Europa, Migracioni, dhe Rrobat e reja t\u00eb Perandorit.[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]Marko Stamenkovic (1977) \u00ebsht\u00eb nj\u00eb historian arti nga jugu i Serbis\u00eb, i cili fokusohet tek\u00a0 racionaliteti politik i krijimit t\u00eb imazhit n\u00eb nj\u00eb kontekst global. Gjat\u00eb dekad\u00ebs s\u00eb fundit, ai ka punuar kryesisht n\u00eb fush\u00ebn e arteve bashk\u00ebkohore si\u00a0 kurator,<\/p>\n","protected":false},"author":5,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2600","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/pages\/2600","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/cod.al\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2600"}],"version-history":[{"count":2,"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/pages\/2600\/revisions"}],"predecessor-version":[{"id":2604,"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/pages\/2600\/revisions\/2604"}],"wp:attachment":[{"href":"https:\/\/cod.al\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2600"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}