{"id":2331,"date":"2016-09-09T14:24:51","date_gmt":"2016-09-09T13:24:51","guid":{"rendered":"http:\/\/cod.al\/?page_id=2331"},"modified":"2016-09-09T14:25:27","modified_gmt":"2016-09-09T13:25:27","slug":"su-tomesen","status":"publish","type":"page","link":"https:\/\/cod.al\/?page_id=2331","title":{"rendered":"SU TOMESEN"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text css_animation=”appear”]\"foyto\"[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css_animation=”appear”]Su Tomesen (1970) \u00ebsht\u00eb artiste vizuale me banim n\u00eb Amsterdam e Jogjakarta. Formimi i saj, – arsimuar n\u00eb histori dhe regjisore n\u00eb televizion, – \u00ebsht\u00eb pjes\u00eb e integruar e pun\u00ebs s\u00eb p\u00ebrditshme. Duke punuar kryesisht me video, fotografi dhe instalacione, praktika e Tomesen p\u00ebrfshin udh\u00ebtimet, k\u00ebrkimet n\u00eb rrethana specifike dhe v\u00ebzhgimin e situatave q\u00eb lidhen me tematika t\u00eb dit\u00ebs.<\/p>\n

N\u00eb COD Talk<\/em>, n\u00eb nj\u00eb bashk\u00ebbisedim me Stefano Romanon, Tomesen do t\u00eb shpalos\u00eb objektin e mikroekonomis\u00eb, t\u00eb lidhur me praktik\u00ebn e saj t\u00eb zgjeruar artistike, duke diskutuar mbi filmat e saj, Jalan<\/em> (2015) dhe Rruga<\/em> (2016).<\/p>\n

Oraret n\u00eb Forum:<\/strong><\/p>\n

-18:30-19:00 Shfaqja e filmit \u201cJalan\u201d
\n-19:00-20:00 Tomesen shfaq fragmente t\u00eb filmit \u201cRruga\u201d, n\u00eb bashk\u00ebbisedimin me Stefano Romanon.<\/p>\n

Jalan
\n<\/strong>\u201cJalan\u201d p\u00ebrshkruan nj\u00eb dit\u00eb imagjinare, nga ora 17:00 deri n\u00eb 18:00. Ritmi i filmit p\u00ebrcaktohet nga moti: nxeht\u00ebsia e m\u00ebngjesit t\u00eb von\u00eb, pasditja dhe shirat e rr\u00ebmbyesh\u00ebm ngadal\u00ebsojn\u00eb montazhin. Sheh teksa pleksen historit\u00eb e disa shit\u00ebsve dhe materialet.<\/p>\n

Materialet e tilla, si kuti t\u00eb vjetra kartoni, goma t\u00eb p\u00ebrdorura, gota boshe plastike dhe shishet\u00a0 riparohen, rip\u00ebrdoren, t\u00eb ndryshuara, t\u00eb paketuara. “Jalan\u201d trajton zgjuarsin\u00eb, riciklimin dhe mpreht\u00ebsin\u00eb brenda organizimit t\u00eb ekonomis\u00eb informale n\u00eb rrug\u00ebt e Jogjakartas.<\/p>\n

Rruga
\n<\/strong>Filmi \u201cRruga\u201d u realizua gjat\u00eb q\u00ebndrimit t\u00eb Tomesen n\u00eb TICA, Tiran\u00eb, dhe hedh v\u00ebshtrimin kryesisht ndaj \u00e7\u00ebshtjeve t\u00eb ngjashme t\u00eb mikroekonomis\u00eb, t\u00eb pranishme dhe n\u00eb filmin e saj t\u00eb m\u00ebparsh\u00ebm \u201cJalan\u201d (2015). N\u00eb COD Talk<\/em> do t\u00eb shfaqen fragmente t\u00eb filmit dhe do t\u00eb diskutohet me kuratorin Stefano Romano. Gjat\u00eb q\u00ebndrimit t\u00eb saj n\u00eb Shqip\u00ebri, Tomesen ishte shum\u00eb aktive n\u00eb rrug\u00ebn \u201cMyslym Shyri\u201d, – vendin ku ende jeton, – e konsideruar si nj\u00eb nga rrug\u00ebt m\u00eb elegante, ku mund t\u00eb gjesh shum\u00eb dyqane q\u00eb shesin coha t\u00eb shtrenjta, veshje dhe fustane nus\u00ebrie. Megjithat\u00eb, edhe k\u00ebtu gjenden mikrorealitetet e ekzistenc\u00ebs q\u00eb theksohen p\u00ebrmes xhamit zmadhues t\u00eb Su, dhe b\u00ebhen shum\u00eb m\u00eb t\u00eb pranishme se sa mund t\u00eb duken kur je duke ecur vet\u00eb atje.<\/p>\n

RRETH…
\n<\/strong>SU TOMESEN<\/p>\n

N\u00eb vitin 2007 Tomesen u diplomua n\u00eb Artet e Bukura n\u00eb Institutin Sandberg t\u00eb Amsterdamit. Nd\u00ebr t\u00eb tjera, puna e saj u shfaq n\u00eb “Selametan Digital\u201d t\u00eb Fondacionit Langgeng Art n\u00eb Jogjakarta, ‘Wanderlust’\u00a0n\u00eb BQK Zuidoost n\u00eb Amsterdam, ‘oet d’r Sjtup’ n\u00eb Schunck* n\u00eb Heerlen. Hapi ekspozit\u00eb vetjake me t\u00eb shoqin, artistin indonezian Teguh Hartanto n\u00eb Erasmushuis n\u00eb Xhakart\u00eb dhe ekspozit\u00eb vetjake n\u00eb Casa Tres Patios n\u00eb Medell\u00edn. N\u00eb ver\u00ebn e vitit 2014 ajo nisi serin\u00eb e punimeve \u201cIndonezia Plastike\u201c me \u201cToko\u201d dhe \u201cRumah\u201d, n\u00eb Amsterdam. Ka qen\u00eb artiste me vendq\u00ebndrim n\u00eb Beograd, Aman, Johanesburg, Medell\u00edn dhe n\u00eb TICA, Tiran\u00eb, n\u00eb vitin 2016.<\/p>\n

STEFANO ROMANO<\/p>\n

Si artist dhe kurator, ai kujdeset p\u00ebr\u00a0sip\u00ebrmarrje dhe aktivitete \u201cdiasporike\u201d,\u00a0duke trajtuar konfliktet, antagonizmat e reja dhe nevoj\u00ebn p\u00ebr realitet social. Punon prej m\u00eb shum\u00eb se nj\u00eb dekade n\u00eb Shqip\u00ebri, ku ka ideuar disa projekte, si artist dhe kurator. Ka marr\u00eb pjes\u00eb n\u00eb Bienalen e Tiran\u00ebs 3, ka ideuar hap\u00ebsir\u00ebn 1.60insurgent, t\u00eb fokusuar n\u00eb hap\u00ebsirat publike dhe ka qen\u00eb bashk\u00ebthemelues i T.I.C.A. (Institutit t\u00eb Artit Bashk\u00ebkohor n\u00eb Tiran\u00eb). N\u00eb vitin 2012 bashk\u00ebthemeloi DyZeroTre (DZT) dhe MAPS – Muzeun e Artit n\u00eb Hap\u00ebsir\u00ebn Publike. Veprat e tij jan\u00eb shfaqur n\u00eb muze dhe ekspozita komb\u00ebtare e nd\u00ebrkomb\u00ebtare, si: Qendra e Kultur\u00ebs Tulla (Tiran\u00eb, Shqip\u00ebri); Palazzo della Misericordia, n\u00eb kuad\u00ebr t\u00eb ArtDate – Dialog n\u00eb Koh\u00eb (Bergamo, Itali); Palazzo Costanzi (Trieste, Itali); Studio Tommaseo (Trieste, Itali); BACO arte contemporanea (Bergamo, Itali);[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]The film Rruga is funded by the Mondrian Found and supported by TICA
\n<\/em><\/p>\n

\"M&T\"<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][vc_column_text css_animation=”appear”][\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css_animation=”appear”]Su Tomesen (1970) \u00ebsht\u00eb artiste vizuale me banim n\u00eb Amsterdam e Jogjakarta. Formimi i saj, – arsimuar n\u00eb histori dhe regjisore n\u00eb televizion, – \u00ebsht\u00eb pjes\u00eb e integruar e pun\u00ebs s\u00eb p\u00ebrditshme. Duke punuar kryesisht me video, fotografi<\/p>\n","protected":false},"author":5,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2331","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/pages\/2331","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/cod.al\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2331"}],"version-history":[{"count":6,"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/pages\/2331\/revisions"}],"predecessor-version":[{"id":2339,"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/pages\/2331\/revisions\/2339"}],"wp:attachment":[{"href":"https:\/\/cod.al\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2331"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}