{"id":2163,"date":"2016-08-18T12:34:49","date_gmt":"2016-08-18T11:34:49","guid":{"rendered":"http:\/\/cod.al\/?page_id=2163"},"modified":"2017-07-07T08:53:16","modified_gmt":"2017-07-07T07:53:16","slug":"sezoni-2015","status":"publish","type":"page","link":"https:\/\/cod.al\/?page_id=2163","title":{"rendered":"Sezoni 2015"},"content":{"rendered":"

[vc_row el_class=”biblioteka-galery three-tabs”][vc_column][vc_column_text]<\/p>\n

Sezoni\u00a0I<\/h5>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a008 Korrik\u00a0– 31 Dhjetor\u00a02015<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text]<\/p>\n

COD\u00a0\u00e7el dyert e Kryeminstris\u00eb Shqiptare<\/h6>\n

 <\/p>\n

Tiran\u00eb, 8 korrik 2015<\/em> \u2013 P\u00ebrurimi i COD (Center for Openness and Dialogue), e vendosur n\u00eb hollin e nd\u00ebrtes\u00ebs s\u00eb Kryeministris\u00eb n\u00eb bulevardin \u201cD\u00ebshmor\u00ebt e Kombit\u201d n\u00eb Tiran\u00eb, sh\u00ebnon nj\u00eb moment shum\u00eb t\u00eb r\u00ebnd\u00ebsish\u00ebm n\u00eb kuad\u00ebr t\u00eb nism\u00ebs s\u00eb Qeveris\u00eb shqiptare p\u00ebr t\u00eb ofruar qasje t\u00eb lir\u00eb n\u00eb institucionet dhe \u00a0dokumentet publike e p\u00ebr t\u2019i v\u00ebn\u00eb ato n\u00eb dispozicion t\u00eb qytetar\u00ebve dhe t\u00eb institucioneve k\u00ebrkimore e artistike, brenda dhe jasht\u00eb vendit.<\/p>\n

COD ofron nj\u00eb kombinim unik t\u00eb tri hap\u00ebsirave: nj\u00eb sall\u00eb digjitale <\/em>q\u00eb i ofron publikut qasje n\u00eb arkivin e digjitalizuar t\u00eb Kryeministris\u00eb, i cili p\u00ebrmban me mij\u00ebra dokumente, p\u00ebrfshir\u00eb vendimet e K\u00ebshillit t\u00eb Ministrave dhe korrespondenc\u00ebn e brendshme t\u00eb institucionit; nj\u00eb bibliotek\u00eb t\u00eb regjistruar sipas standardeve nd\u00ebrkomb\u00ebtare,<\/em> fal\u00eb s\u00eb cil\u00ebs vizitor\u00ebt n\u00eb COD do t\u00eb ken\u00eb qasje n\u00eb mij\u00ebra biblioteka anemban\u00eb bot\u00ebs, t\u00eb specializuara n\u00eb fush\u00ebn e politik\u00ebs, Bashkimit Europian, artit, arkitektur\u00ebs dhe planifikimit urban; si dhe nj\u00eb sall\u00eb ekspozitash, <\/em>n\u00eb t\u00eb cil\u00ebn do t\u00eb organizohen ekspozita artistike. Me k\u00ebt\u00eb profil, COD synon t\u00eb kthehet n\u00eb nj\u00eb laborator kreativ, n\u00eb t\u00eb cilin mund t\u00eb hulumtohet kufiri ku bashkohen dhe mbivendosen potencialet e fushave t\u00eb ndryshme t\u00eb artit, politik\u00ebs e k\u00ebrkimit shkencor.<\/p>\n

E ngritur n\u00eb kujdesin e kryeministrit Edi Rama, COD u ofron student\u00ebve e studiuesve, artist\u00ebve e kurator\u00ebve, gazetar\u00ebve e aktivist\u00ebve t\u00eb shoq\u00ebris\u00eb civile, si dhe publikut t\u00eb gjer\u00eb, nj\u00eb vend ku idet\u00eb marrin form\u00eb, ku mendimi kritik informon artin dhe kultura ndri\u00e7on politik\u00ebn, nj\u00eb qend\u00ebr ku ata mund t\u00eb ndryshojn\u00eb dhe emancipojn\u00eb politikat q\u00eb do t\u2019i hapin rrug\u00ebn progresit t\u00eb s\u00eb ardhmes. Duke ofruar nj\u00eb qasje t\u00eb hapur dhe transparente p\u00ebrmes formave t\u00eb ndryshme t\u00eb dialogut publik, COD ka p\u00ebr q\u00ebllim t\u00eb demistifikoj\u00eb nj\u00eb institucion, i cili deri m\u00eb sot ka qen\u00eb i mbyllur p\u00ebr qytetar\u00ebt, edhe pse ka ndikim shum\u00eb t\u00eb madh n\u00eb jet\u00ebn e tyre.<\/p>\n

Duke sjell\u00eb pran\u00eb nj\u00ebrit-tjetrit burime par\u00ebsore, intelektual\u00eb, studiues dhe artist\u00eb shqiptar\u00eb e nd\u00ebrkomb\u00ebtar\u00eb, COD synon t\u00eb shnd\u00ebrrohet n\u00eb nj\u00eb platform\u00eb ku takohen k\u00ebndv\u00ebshtrimet universale e individuale dhe ku identifikohen e nd\u00ebrlidhen perspektivat lokale dhe ato nd\u00ebrkomb\u00ebtare. P\u00ebr k\u00ebt\u00eb arsye, COD hap dyert me disa prezantime t\u00eb spikatura<\/strong>:<\/em><\/strong> nj\u00eb ekspozit\u00eb me veprat <\/em>e artist\u00ebve t\u00eb famsh\u00ebm nd\u00ebrkomb\u00ebtar\u00eb Thomas Demand, Carsten Holler dhe Phillipe Parreno dhe nj\u00eb projekt t\u00eb kuruar <\/em>nga Zef Paci, profesor i Historis\u00eb s\u00eb Artit dhe Piktur\u00ebs n\u00eb Akademin\u00eb e Arteve n\u00eb Tiran\u00eb.<\/p>\n

Teksa i afrohen hyrjes s\u00eb COD, vizitor\u00ebt do t\u00eb zbulojn\u00eb K\u00ebrpudh\u00ebn Gjigante me Tri Pjes\u00eb<\/em> (2015) t\u00eb vendosur n\u00eb hap\u00ebsir\u00ebn e gjelb\u00ebr n\u00eb t\u00eb djatht\u00eb. Nd\u00ebrtuar si nj\u00eb k\u00ebrpudh\u00eb e madhe, e p\u00ebrb\u00ebr\u00eb nga tri pjes\u00eb unike q\u00eb t\u00eb sjellin nd\u00ebr mend vende e kultura t\u00eb ndryshme si dhe nj\u00eb vijim\u00ebsi mes asaj q\u00eb t\u00eb ushqen e asaj q\u00eb t\u00eb helmon, K\u00ebrpudha Gjigante me Tri Pjes\u00eb<\/em> mund t\u00eb perceptohet si nj\u00eb koment p\u00ebr politik\u00ebn shqiptare. E realizuar posa\u00e7\u00ebrisht p\u00ebr COD, kjo vep\u00ebr nga Carsten Holler na sjell nd\u00ebr mend format e ndryshme t\u00eb dijes q\u00eb njer\u00ebzimi ka krijuar dhe i zhvillon n\u00eb vazhdim\u00ebsi.<\/p>\n

N\u00eb hyrje t\u00eb COD vizitor\u00ebt do t\u00eb kalojn\u00eb posht\u00eb Markiz<\/em>\u00ebs Tirana<\/em> 2015, t\u00eb realizuar nga Phillipe Parreno, nj\u00eb skulptur\u00eb e madhe q\u00eb ndri\u00e7on hyrjen p\u00ebr n\u00eb godin\u00eb. N\u00eb linj\u00eb me veprat e tjera t\u00eb ngjashme q\u00eb Parreno ka ekspozuar n\u00eb Muzeun Guggenheim n\u00eb Nju Jork, Pallatin e Tokios n\u00eb Paris dhe n\u00eb Pallatin historik Grassi n\u00eb Venecia, Markiza <\/em>e madhe, nj\u00ebherazi e shoq\u00ebron dhe e mir\u00ebpret publikun, si p\u00ebr t\u00eb ndri\u00e7uar e p\u00ebr t\u00eb v\u00ebn\u00eb n\u00eb pah kufirin ku takohen kultura dhe politikat, dituria dhe mendimi kritik, mjedisi i jasht\u00ebm dhe i brendsh\u00ebm.<\/p>\n

N\u00eb mjediset e COD vizitor\u00ebt p\u00ebrballen me tri vepra t\u00eb Thomas Demand: Tribute<\/em>\/Hara<\/em>\u00e7i (2011), Attraction\/Joshja<\/em> (2013) dhe Sign\/Simboli<\/em>(2015). Vepra e fundit, e ekspozuar p\u00ebr her\u00eb t\u00eb par\u00eb n\u00eb COD, p\u00ebrcjell sken\u00ebn e nj\u00eb punishteje ku po prodhohet nj\u00eb simbol p\u00ebr Panaririn Bot\u00ebror t\u00eb Nju Jorkut, t\u00eb organizuar n\u00eb vitin 1939. I portretizuar n\u00eb form\u00eb t\u00eb pap\u00ebrfunduar, Sign<\/em>\/Simboli<\/em> \u2013 shtr\u00ebngimi i duarve simbolizon \u201cpartneritetin mes njer\u00ebzve t\u00eb bot\u00ebs, p\u00ebrmes shoq\u00ebris\u00eb s\u00eb konsumit\u201d \u2013 duket se b\u00ebn fjal\u00eb p\u00ebr \u00e7\u00ebshtjet e pazgjidhura, turbulluese dhe shpres\u00ebplota, t\u00eb cilave kjo shenj\u00eb u referohej dikur.<\/p>\n

Artist\u00ebt i kan\u00eb dhuruar bujarisht popullit shqiptar Markiz<\/em>\u00ebn e Tiran\u00ebs<\/em> dhe K\u00ebrpudh\u00ebn Gjigante me Tri Pjes\u00eb<\/em>, nd\u00ebrsa ekspozita e Thomas Demand \u00ebsht\u00eb kortezi e artistit.<\/p>\n

N\u00eb sall\u00ebn digjitale<\/em> vizitor\u00ebt mund t\u00eb sodisin ekspozit\u00ebn e kuruar nga profesori shqiptar i artit Zef Paci, e para e seris\u00eb s\u00eb ekspozitave me titull \u201cFotografia rishkruan historin\u00eb\u201d,<\/em> ku kurator\u00eb nga fusha t\u00eb ndryshme do t\u00eb eksplorojn\u00eb nj\u00eb subjekt t\u00eb zgjedhur prej tyre, duke p\u00ebrdorur nj\u00eb koleksion t\u00eb pasur fotosh t\u00eb ATSH, dokumente t\u00eb AQSH dhe fondin e digjitalizuar t\u00eb arkivit t\u00eb Kryeministris\u00eb,\u00a0 q\u00eb p\u00ebrfshin revista e vendime zyrtare qeveritare t\u00eb s\u00eb shkuar\u00ebs totalitare, t\u00eb gjitha t\u00eb v\u00ebna n\u00eb dispozicion nga nisma p\u00ebr hapje dhe dialog COD.[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_column_text]\"1\"<\/a><\/p>\n

\u00a0Holli Protokollar<\/span><\/a><\/h6>\n

Ekspozit\u00eb e Thomas Demand<\/em><\/span><\/a><\/p>\n

[\/vc_column_text][vc_column_text]\"2\"<\/a><\/p>\n

Salla Digjitale<\/span><\/a><\/h6>\n

Fotografia rishkruan historin\u00eb<\/em><\/span><\/a><\/p>\n

[\/vc_column_text][vc_column_text]\"Editi_Alb_Vers-1\"<\/a><\/p>\n

Minilab<\/span><\/a><\/h6>\n

Sende t\u00eb askujt si trash\u00ebgimi e arkivuar<\/i><\/span><\/a><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]\"harta-2\"<\/p>\n

\n\n\n\n\n\n
\n
1. Carsten H\u00f6ller<\/h6>\n

Giant Triple Mushroom, 2015
\n(K\u00ebrpudha Gjigante me Tri Pjes\u00eb)
\nQeleposhja e kuqe \u2013 Fliegenpilz \u2013 Amanita muscaria
\nK\u00ebrpudh\u00eb boshe \u2013 Lila Dickfub \u2013 Cortinarius
\nTraganus \/ koral n\u00eb form\u00ebn e havanit \u2013 Herkuleskeule
\n– Clavariadelphus pistillaris
\nRiprodhim poliest\u00ebr i k\u00ebrpudh\u00ebs, boj\u00eb poliest\u00ebr, rr\u00ebshir\u00eb sintetike,
\nboj\u00eb akrilike, tel, stuko, poliuretan, shkum\u00eb e ngurt\u00ebsuar,
\n\u00e7elik q\u00eb nuk ndryshket.
\nLart\u00ebsia 320 cm<\/p>\n

 <\/td>\n

\n
4. Thomas Demand<\/h6>\n

Sign, (Simboli) 2015
\nC-Print\/Diasec
\nDhurat\u00eb e artistit
\n200cm x 259,5 cm<\/td>\n<\/tr>\n

\n
2. Philippe Parreno<\/h6>\n

Marquee Tirana, (Markiza Tirana) 2015
\n120 x 400 x 83 cm
\nStruktur\u00eb metalike, neon, LED, pleksiglas opali
\n60 mn kompozicion i leht\u00eb<\/p>\n

 <\/td>\n

\n
5. Thomas Demand<\/h6>\n

Attraction, (Joshja) 2013
\nC-Print\/Diasec
\n300 cm x 240 cm<\/td>\n<\/tr>\n

\n
3. Thomas Demand<\/h6>\n

Tribute, (Hara\u00e7i) 2011 C-Print\/Diasec
\n166 cm x 125 cm
\nDhurat\u00eb e artistit<\/td>\n

\n
\n
Salla Digjitale \u201cFotografia rishkruan historin\u00eb\u201d<\/h6>\n
<\/h6>\n
6. Zef Paci<\/h6>\n

Jeta politike dhe e
\np\u00ebrditshme \u201845-\u201891
\nProjeksion n\u00eb 2 ekrane
\np\u00ebrball\u00eb nj\u00ebri-tjetrit<\/p>\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"

[vc_row el_class=”biblioteka-galery three-tabs”][vc_column][vc_column_text] Sezoni\u00a0I \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a008 Korrik\u00a0– 31 Dhjetor\u00a02015 [\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text] COD\u00a0\u00e7el dyert e Kryeminstris\u00eb Shqiptare   Tiran\u00eb, 8 korrik 2015 \u2013 P\u00ebrurimi i COD (Center for Openness and Dialogue), e<\/p>\n","protected":false},"author":5,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2163","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/pages\/2163","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/cod.al\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2163"}],"version-history":[{"count":18,"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/pages\/2163\/revisions"}],"predecessor-version":[{"id":3316,"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/pages\/2163\/revisions\/3316"}],"wp:attachment":[{"href":"https:\/\/cod.al\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2163"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}