{"id":1201,"date":"2015-07-13T06:58:04","date_gmt":"2015-07-13T05:58:04","guid":{"rendered":"http:\/\/cod.al\/?page_id=1201"},"modified":"2015-07-13T06:58:04","modified_gmt":"2015-07-13T05:58:04","slug":"ekspozite-e-thomas-demand","status":"publish","type":"page","link":"https:\/\/cod.al\/?page_id=1201","title":{"rendered":"Ekspozit\u00eb e Thomas Demand"},"content":{"rendered":"<hr \/>\n<p>&nbsp;<\/p>\n<div id=\"attachment_1036\" style=\"width: 2236px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1036\" class=\"wp-image-1036 size-full\" src=\"http:\/\/cod.al\/wp-content\/uploads\/2015\/07\/Thomas_Alb_Vers-1.png\" alt=\"Thomas_Alb_Vers-1\" width=\"2226\" height=\"823\" srcset=\"https:\/\/cod.al\/wp-content\/uploads\/2015\/07\/Thomas_Alb_Vers-1.png 2226w, https:\/\/cod.al\/wp-content\/uploads\/2015\/07\/Thomas_Alb_Vers-1-300x111.png 300w, https:\/\/cod.al\/wp-content\/uploads\/2015\/07\/Thomas_Alb_Vers-1-1024x379.png 1024w\" sizes=\"auto, (max-width: 2226px) 100vw, 2226px\" \/><p id=\"caption-attachment-1036\" class=\"wp-caption-text\">photo: Thomas Demand, VG Bild-Kunst, Bonn\u00a9 Thomas Demand, 2015<\/p><\/div>\n<p>Fotografit\u00eb mund t\u00eb duken bindsh\u00ebm reale dhe \u00e7udit\u00ebrisht artificiale. Vepra e artistit me fam\u00eb nd\u00ebrkomb\u00ebtare t\u00eb lindur n\u00eb Gjermani, Thomas Demand, karakterizohet nga nj\u00eb ekuilib\u00ebr i turbullt mes reales dhe artificiales. Demand lindi n\u00eb vitin 1964 dhe studioi p\u00ebr skulptur\u00eb, por filloi t\u00eb p\u00ebrdorte fotografin\u00eb si mjet p\u00ebr t\u00eb dokumentuar konstruksionet e tij t\u00eb p\u00ebrkohshme prej letre. N\u00eb vitin 1993 Demand e ndryshoi kahjen e vepr\u00ebs s\u00eb tij duke krijuar konstruksione vet\u00ebm p\u00ebr t\u2019i fotografuar. Fal\u00eb kombinimit n\u00eb pjes\u00eb t\u00eb barabarta t\u00eb konceptualizmit dhe artizanatit, Demandi e \u00e7on fotografin\u00eb si mjet shprehjeje drejt kufijve t\u00eb paeksploruar m\u00eb par\u00eb.<\/p>\n<p>Publiku q\u00eb i sheh p\u00ebr her\u00eb t\u00eb par\u00eb fotografit\u00eb e Thomas Demand mund t\u00eb mos e kuptoj\u00eb menj\u00ebher\u00eb r\u00ebnd\u00ebsin\u00eb dhe sfondin e tyre narrativ. N\u00eb munges\u00eb t\u00eb nj\u00eb teksti shpjegues gjat\u00eb ekspozimit t\u00eb tyre n\u00eb galeri, imazhet tregojn\u00eb vende boshe pa asnj\u00eb detaj identifikues. Kur sheh nj\u00eb sall\u00eb konferencash plot me mbeturina, shikuesi ndoshta nuk e kupton se ajo \u00ebsht\u00eb skena e nj\u00eb p\u00ebrpjekjeje t\u00eb d\u00ebshtuar p\u00ebr vrasjen e Hitlerit; n\u00eb p\u00ebrballjen me fotografit\u00eb e disa apartamenteve t\u00eb zakonshme, shikuesi mund t\u00eb mos hamend\u00ebsoj\u00eb se ato i p\u00ebrkasin ambasad\u00ebs s\u00eb Nigeris\u00eb n\u00eb Rom\u00eb, n\u00eb t\u00eb cil\u00ebn u fut fshehurazi dikush q\u00eb vodhi letra boshe me logon zyrtare, letra t\u00eb cilat u p\u00ebrdor\u00ebn m\u00eb von\u00eb p\u00ebr t\u00eb fabrikuar prova se Iraku po p\u00ebrpiqej gjoja t\u00eb blinte uranium nga Nigeria; shikuesi mund t\u00eb mos e v\u00ebn\u00eb re faktin se nj\u00eb kuzhin\u00eb e rr\u00ebnuar n\u00eb nj\u00eb nga fotografit\u00eb e Demand \u00ebsht\u00eb vendi ku diktatori Sadam Husein gatoi vaktin e tij t\u00eb fundit para se t\u00eb kapej.<\/p>\n<p>Demand e nis me imazhe ndikuese t\u00eb zgjedhura nga media, zakonisht imazhe nga nj\u00eb ngjarje politike, t\u00eb cil\u00ebn ai e shnd\u00ebrron n\u00eb nj\u00eb model me madh\u00ebsin\u00eb e vet natyrale, realizuar me let\u00ebr shum\u00ebngjyr\u00ebshe dhe karton. Riprodhimet e hap\u00ebsirave arkitekturore dhe mjediseve natyrore nga Demand, t\u00eb gjitha t\u00eb realizuara me dor\u00eb, ngrihen mbi imazhin e imazheve t\u00eb tjera. Pra, fotografit\u00eb e tij jan\u00eb trefish larg nga skenat apo objektet q\u00eb kan\u00eb p\u00ebr q\u00ebllim t\u00eb p\u00ebrshkruajn\u00eb. Menj\u00ebher\u00eb pasi i fotografon, ai i shkat\u00ebrron t\u00eb gjitha modelet.<\/p>\n<p>N\u00eb hollin kryesor t\u00eb Qendr\u00ebs s\u00eb Hapur p\u00ebr Dialog\/Center for Opennes and Dialogue &#8211; COD n\u00eb Tiran\u00eb jan\u00eb ekspozuar tri vepra fotografike nga Demand: <em>Tribute\/Hara\u00e7i, <\/em>2011, <em>Attraction\/Joshja, <\/em>2013, si dhe <em>Sign\/Simboli, <\/em>2015, nj\u00eb vep\u00ebr e re, e cila ekspozohet p\u00ebr her\u00eb t\u00eb par\u00eb n\u00eb COD. Vepra p\u00ebrshkruan nj\u00eb sken\u00eb punishteje ku po prodhohet nj\u00eb simbol p\u00ebr Panairin Bot\u00ebror t\u00eb Nju Jorkut \u201c<em>Nd\u00ebrtimi i Bot\u00ebs s\u00eb t\u00eb Nes\u00ebrmes\u201d<\/em>. N\u00eb k\u00ebt\u00eb panair t\u00eb organizuar n\u00eb vitin 1939 u promovua nj\u00eb nga narrativat m\u00eb t\u00eb m\u00ebdha, nga t\u00eb fundit e Epok\u00ebs s\u00eb Makinerive: besimi i padiskutuesh\u00ebm te shkenca dhe teknologjia si mjete q\u00eb \u00e7ojn\u00eb n\u00eb nxitjen e mir\u00ebqenies ekonomike dhe t\u00eb liris\u00eb personale, duke theksuar nd\u00ebrkaq konsumin e produkteve dhe risit\u00eb e ideve e t\u00eb formave. P\u00ebr pasoj\u00eb, shtr\u00ebngimi i duarve simbolizon \u201cpartneritetin mes njer\u00ebzve t\u00eb bot\u00ebs p\u00ebrmes shoq\u00ebris\u00eb s\u00eb konsumit\u201d. I portretizuar n\u00eb nj\u00eb form\u00eb t\u00eb pap\u00ebrfunduar, <em>Sign\/Simboli<\/em> duket se b\u00ebn fjal\u00eb p\u00ebr \u00e7\u00ebshtjet e pazgjidhura, turbulluese dhe shpres\u00ebplota, t\u00eb cilave ky simbol u referohej dikur.<\/p>\n<p>Thomas Demand jeton e punon n\u00eb Los Anxhelos dhe Berlin. Veprat e tij jan\u00eb paraqitur n\u00eb nj\u00eb s\u00ebr\u00eb ekspozitash anemban\u00eb bot\u00ebs, duke p\u00ebrfshir\u00eb Galerin\u00eb e Re Komb\u00ebtare n\u00eb Berlin, 2009; Muzeun Irlandez t\u00eb Artit Modern n\u00eb Dublin, 2007; Galerin\u00eb \u201cSerpentine\u201d n\u00eb Lond\u00ebr, 2006; Fondacionin \u201cPrada\u201d n\u00eb Itali, 2006; Muzeun e Artit Modern n\u00eb Nju Jork, 2005; Galerin\u00eb e Arteve \u201cBregenz\u201d n\u00eb Austri, 2004 Fondacionin \u201cCartier pour l\u2019Art Contemporain\u201d n\u00eb Paris, 2000.<\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<p><em>Kjo ekspozit\u00eb do t\u00eb jet\u00eb e hapur nga data 9 korrik \u2013 30 shtator 2015<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>08 Korrik \u2013 30 Shtator<\/p>\n","protected":false},"author":5,"featured_media":1202,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-1201","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/pages\/1201","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/cod.al\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1201"}],"version-history":[{"count":1,"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/pages\/1201\/revisions"}],"predecessor-version":[{"id":1203,"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/pages\/1201\/revisions\/1203"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cod.al\/index.php?rest_route=\/wp\/v2\/media\/1202"}],"wp:attachment":[{"href":"https:\/\/cod.al\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1201"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}